Pregled bibliografske jedinice broj: 210089
The Founders of Croatian Musical Historiography. Music, History, Politics and Ideology
The Founders of Croatian Musical Historiography. Music, History, Politics and Ideology // Music's Intellectual History: Founders, Followers & Fads
Sjedinjene Američke Države, 2005. (pozvano predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni)
CROSBI ID: 210089 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
The Founders of Croatian Musical Historiography. Music, History, Politics and Ideology
Autori
Majer-Bobetko, Sanja
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni
Skup
Music's Intellectual History: Founders, Followers & Fads
Mjesto i datum
Sjedinjene Američke Države, 16.03.2005. - 19.03.2005
Vrsta sudjelovanja
Pozvano predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Croatian music; music historiography; Franjo Kuhač; Vjenceslav Novak; Vjekoslav Klaić
Sažetak
Although Franjo Ksaver Kuhač (1834-1911) is usually considered the founder of Croatian musical historiography other two highly important figures shoul also be pointed out: Vjenceslav Novak (1859-1905) and Vjekoslav Klaić (1849-1928). Kuhač’ s efforts marked the beginning of systematic research in Croatia in the field of the history of music. However, it must be said that Kuhač’ s conviction that music historiography, just like music itself, ought to endorse and promote national identity sometimes interfered with his scholarly objectivity in the interpretation of certain historical facts, and even led him to arbitrary and unsupported conclusions. A historian Klaić focused – like Kuhač himself - his scholarly interest mainly on the period of the Croatian National Movement of the 1830s and 1840s. Some of his biographical studies still function as relevant and respectable sources. A recognized writer, Novak was not a researcher himself but primarily a pedagogue. Among his works the most important is his general survey of music history, the first written in Croatian, which lay unpublished until 1994. Thus the first published periodization of music history in Croatian culturological space was displayed in the aesthetic system of the writer and aestheticist Franjo Marković (1845-1914). Croatian National Movement was in the focus of the researchers' interest and treated a starting point of the Croatian history of music for two reasons. Firstly, the older periods were basically unknown and secondly, the impact of national ideology on all fields of social and cultural life was extremely strong.
Izvorni jezik
Engleski
Znanstvena područja
Povijest, Znanost o umjetnosti