Naslov
Hrvatski salon i institucija i provokacija
(Croatian Salon, both Institution and Provocation)

Autori
Maroević, Tonko

Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni

Knjiga
Hrvatski salon Zagreb 1898. 100 godina Umjetničkog paviljona.

Urednik/ci
Lea Ukrainčik

Izdavač
Umjetnički paviljon u Zagrebu

Grad
Zagreb

Godina
1998

Raspon stranica
29-35

ISBN
Nema

Ključne riječi
Hrvatski salon 1898, Umjetnički paviljon u Zagrebu, Hrvatska slikarska moderna, secesija, Izidor Kršnjavi
(Croatian salon 1898, Art pavilion in Zagreb, Croatian modern art, secession, Izidor Kršnjavi)

Sažetak
Craotian salon in the new ly opened Art Pavilion built for the specific purpose, was the definitive end of the preceding period of preperation, marked by the authority of Izidor Kršnjavi, a fullfilment and result of fruitful tension accumulated during Kršnjavis times. The Salons sum of achivments was in fact impressive. The group of artists that was to introduce modern ideas presented their work. The batlle was won for affirmation of art work in public spacesand middle class everyday lifeThe Secession ideas were embraced by graphic design, printing, books and posters Only a small numbers of Croatian artists abstened. Painters and sculptors managed manged to obtain institutional support and, with their expanded range of themes and forms caused negative reception which only heightened the interest in the phenomenon. The provocative spice was part of the avant-garde strategy, used in Croatia for the very first time. The building of Art Pavilion is the result of the pragmatism of those who abandoned the osolete pathos of Croatian national revival.

Izvorni jezik
Hrvatski

Znanstvena područja
Znanost o umjetnosti

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