Pregled bibliografske jedinice broj: 164394
Taming the Vague: Gavella's Theoretical, New Actor-Spectator
Taming the Vague: Gavella's Theoretical, New Actor-Spectator // Frakcija : magazin za izvedbene umjetnosti, VIII (2003), 28/29. (podatak o recenziji nije dostupan, članak, znanstveni)
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Naslov
Taming the Vague: Gavella's Theoretical, New Actor-Spectator
Autori
Blažević, Marin
Izvornik
Frakcija : magazin za izvedbene umjetnosti (1331-0100) VIII
(2003), 28/29;
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
nejasno; nepostojano; Gavella; theory; actor
(vague; volatile; Gavella; theory; actor)
Sažetak
The structure and the analysis of evolution process of the new personality of the actor-spectator are authentic inference of Branko Gavella’ s theoretical rendering. Gavella distinguishes five degrees in the development of the new actor’ s person(a), each further degree containing the material and structure of all the previous ones: the private person, the technical person, the normative persona, the actorial-dramatic character and the ideal person(a). The concept of the actor’ s composite, new personality, together with the concept of Mitspiel (co-play) of the actor and the spectator, as a possible answer to some of the most daring questions of the theory of reception of the total theatrical act and action (for example, the questions regarding the transfer of actor’ s vitality, experiential transgression of representation and the spectator's potential action), make Gavella’ s theory an integral part of an impressive twentieth century research and theoretical deliberation on the actor’ s performance.
Izvorni jezik
Engleski
Znanstvena područja
Filologija