Pregled bibliografske jedinice broj: 162808
Musical and Dance Heritage of National Minorities in Croatia: An Overview of the Current Situation
Musical and Dance Heritage of National Minorities in Croatia: An Overview of the Current Situation // Third Meeting of the Study Group "Music and Minorities" of the International Council for Traditional Music, Roč (Croatia), August 27th - September 3rd, 2004.: Programme and Abstracts of Papers / Ceribašić, Naila (ur.).
Zagreb: Institut za etnologiju i folklOris tiku (IEF), 2004. (predavanje, međunarodna recenzija, sažetak, znanstveni)
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Naslov
Musical and Dance Heritage of National Minorities in Croatia: An Overview of the Current Situation
Autori
Ceribašić, Naila ; Bagur, Vido
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
Third Meeting of the Study Group "Music and Minorities" of the International Council for Traditional Music, Roč (Croatia), August 27th - September 3rd, 2004.: Programme and Abstracts of Papers
/ Ceribašić, Naila - Zagreb : Institut za etnologiju i folklOris tiku (IEF), 2004
Skup
Third Meeting of the Study Group "Music and Minorities" of the International Council for Traditional Music ; Roč (Croatia), August 27th - September 3rd, 2004
Mjesto i datum
Roč, Hrvatska, 27.08.2004. - 03.09.2004
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
glazba; nacionalne manjine; javna praksa; Hrvatska
(music; national minorities; public practice; Croatia)
Sažetak
Originalni summary: One of the main focuses of Croatian ethnomusicologists during the 1990s became some of the groups that, until then, had been scientifically hidden or blurred. This blurring occurred because of these groups' aberration from the canon of folk music and/or because of their existence on the margin of the discourse of power ŕ groups identified along the lines of gender (e.g. previously "invisible" women who played folk music instruments or women dancers), sexuality (e.g. homosexual musicians as musical mediators), class and social position (e.g. travelling musicians). Among them, national minorities (who were also an ethnomusicological topic in previous times) surfaced in the late 1990s as mainstream and a key-word when dealing with minority issues ŕ due to general political and legislative transition (in order to join European Union) and the experience of Yugoslavia's breakdown. This change was also due to a growing interest in other musics, i.e. the world music scene as it is being transplanted into the local context (so-called ethno-music movement in Croatia). The authors' intention is, since the meeting is taking place in Croatia, to give participants an audio-visual overview of the living music and dance practices of national minorities in Croatia, with special emphasize on their presentation at 2003 International Folklore Festival in Zagreb and on the CD "Musical heritage of national minorities in Croatia", which has been created simultaneously with the preparation of the festival. Public responses and effects of these attempts at empowering minorities will also be touched upon. Budući da se skup održava u Hrvatskoj, namjera je autora da sudionicima omoguće audio-vizualni uvid u živu glazbenu i plesnu praksu nacionalnih manjina u Hrvatskoj, s posebnim naglaskom na njihovom predstavljanju na Međunarodnoj smotri folklora u Zagrebu 2003. i na kompaktnoj ploči "Glazbena baština nacionalnih manjina u Hrvatskoj". Summary: Since the meeting is taking place in Croatia, the authors' intention is to give participants an audio-visual overview of the living music and dance practices of national minorities in Croatia, with special emphasize on their presentation at 2003 International Folklore Festival in Zagreb and on the CD "Musical heritage of national minorities in Croatia".
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti, Etnologija i antropologija
POVEZANOST RADA
Projekti:
0189003
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Naila Ceribašić
(autor)