Pregled bibliografske jedinice broj: 1282559
A Synthesis Paradigm as a Way of Bringing Back to Life the Artistic Monuments Inspired by the Motives of the People’s Liberation Struggle and Revolution Of Yugoslavia
A Synthesis Paradigm as a Way of Bringing Back to Life the Artistic Monuments Inspired by the Motives of the People’s Liberation Struggle and Revolution Of Yugoslavia // Technological Imagination in the Green and Digital Transition / Arbizzani, Eugenio ; Cangelli, Eliana ; Clemente, Carola ; Cumo, Fabrizio ; Giofrè, Francesca ; Giovenale, Anna Maria ; Palme, Massimo ; Paris, Spartaco (ur.).
Rome: Springer Cham, 2023. str. 935-945 doi:10.1007/978-3-031-29515-7 (ostalo, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
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Naslov
A Synthesis Paradigm as a Way of Bringing Back to
Life the Artistic Monuments Inspired by the
Motives of the People’s Liberation Struggle and
Revolution Of Yugoslavia
Autori
Batakoja, Meri ; Hrastar, Tihana
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
Technological Imagination in the Green and Digital Transition
/ Arbizzani, Eugenio ; Cangelli, Eliana ; Clemente, Carola ; Cumo, Fabrizio ; Giofrè, Francesca ; Giovenale, Anna Maria ; Palme, Massimo ; Paris, Spartaco - Rome : Springer Cham, 2023, 935-945
ISBN
978-3-031-29514-0
Skup
Technological Imagination in the Green and Digital Transition
Mjesto i datum
Rim, Italija, 30.06.2022. - 02.07.2022
Vrsta sudjelovanja
Ostalo
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Synthesis of the arts, Advanced technology, Nature, Yugoslavian artistic monuments, Health
Sažetak
The artistic monuments inspired by the motives of the People’s Liberation Struggle and Revolution of Yugoslavia are stratified phenomena constructed through a multitude of meanings. They are an indispensable part of important movements of architectural thought: the Yugoslavian avant-garde and the synthesis of all arts as its distinctive operational mode ; the process of how the modern non-figurative means became an official language to Yugoslavian socialist ideology as opposed to the soc-realist figuration of the Eastern Bloc ; the popularization of the Yugoslavian heritage taking place in the last decade as a unique enclave of the world scene of modern architecture, etc. This paper aims to argument their conception and meaning as a complex synthesis of art, architecture, technology and nature, and at the same time to open a potential health paradigm positioning them in the context of open-air culture, new ritual practices of social memory and new museum-destination types of contemporary art forms. In terms of methodology, this study puts together architectural scholars who actively work on the problem of the synthesis of the arts, offers a detailed review of existing scientific knowledge on artistic monuments in order to provide a new conceptual frame, an instructive yet speculative material that can alter the perception away from the old ideological stand into a new and healthy synthesized experience. Apart from the theorization of this synthesis paradigm as a way of bringing back to life the artistic monuments inspired by the motives of the People’s Liberation Struggle and Revolution of Yugoslavia, this paper provides criteria for this new conceptual frame and showcases them upon selected case study.
Izvorni jezik
Engleski
Znanstvena područja
Arhitektura i urbanizam
Poveznice na cjeloviti tekst rada:
doi link.springer.com trebuchet.public.springernature.appPoveznice na istraživačke podatke:
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Časopis indeksira:
- Scopus