Pregled bibliografske jedinice broj: 1270208
Institutionalization of Modern Bourgeois Music Culture in the 19th-Century Civil Croatia – Introductory Considerations
Institutionalization of Modern Bourgeois Music Culture in the 19th-Century Civil Croatia – Introductory Considerations // Institutionalization of Modern Bourgeois Musical Culture in the 19th Century
Zagreb, Hrvatska, 2022. (predavanje, domaća recenzija, neobjavljeni rad, znanstveni)
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Naslov
Institutionalization of Modern Bourgeois Music
Culture in the 19th-Century
Civil Croatia – Introductory Considerations
(Institucionalizacija moderne građanske glazbene
kulture u 19. stoljeću u
Banskoj Hrvatskoj – Uvodna razmatranja)
Autori
Tuksar, Stanislav
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni
Skup
Institutionalization of Modern Bourgeois Musical Culture in the 19th Century
Mjesto i datum
Zagreb, Hrvatska, 07.10.2022
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Domaća recenzija
Ključne riječi
Institutionalization, Modernization, Bourgeois Society, Civil Croatia, 19th Century
(Institucionalizacija, modernizacija, građansko društvo, civilna Hrvatska, 19. stoljeće)
Sažetak
The process of institutionalization of modern bourgeois music culture in 19th -century Civil Croatia (the provinces of stricter Croatia and Slavonia) went hand in hand with broader contemporaneous developments in education and social modernization. In this, questions arise of when bourgeois society in Civil Croatia, as distinct from that of the ‘ancien régime’, came into being and of what “bourgeois music culture” means. The liberalization of social practices was one of the important elements of the ideological background which enabled the emergence and developments of these processes. In it participated not only the members of the otherwise thin social stratum of bourgeoisie, but also some members from the aristocratic and high ecclesiastical circles. Another important element was the rise of national consciousness and the proclaimed supreme interests of the nascent modern Croatian nation, in which participated people from various ethnic origins (Croatians, Serbs, Germans, Jews). The paper follows free gatherings, societies and associations from the late 1820s on: Musikvereins, music schools, salons, singing societies, music theatres and instrumental ensembles. When discussing the issue of institutions in the areas and periods under consideration it should be pointed out that some among them emerged as new acquisitions, i.e. innovations of the new post-feudal era, while others had a prehistory of a kind, where new components or specific activities replaced or modified the already existing ones.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti