Pregled bibliografske jedinice broj: 1254962
Feminisms in a Transnational Perspective 2022. Art, Artivism, And Other Transformative Practices. Programme and Abstracts. 15th Postgraduate Course, Dubrovnik, IUC, May 23-27, 2022.
Feminisms in a Transnational Perspective 2022. Art, Artivism, And Other Transformative Practices. Programme and Abstracts. 15th Postgraduate Course, Dubrovnik, IUC, May 23-27, 2022. // Feminisms in a Transnational Perspective 2022. Art, Artivism, And Other Transformative Practices. Programme and Abstracts. 15th Postgraduate Course.
Dubrovnik, Hrvatska, 2022. (radionica, međunarodna recenzija, ostalo, znanstveni)
CROSBI ID: 1254962 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Feminisms in a Transnational Perspective 2022.
Art, Artivism, And Other Transformative Practices.
Programme and Abstracts. 15th Postgraduate Course,
Dubrovnik, IUC, May 23-27, 2022.
Autori
Jambrešić Kirin, Renata
Kolaboracija
Međunarodni feministički seminar
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, ostalo, znanstveni
Skup
Feminisms in a Transnational Perspective 2022. Art, Artivism, And Other Transformative Practices. Programme and Abstracts. 15th Postgraduate Course.
Mjesto i datum
Dubrovnik, Hrvatska, 23.05.2022. - 27.05.2022
Vrsta sudjelovanja
Radionica
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
transnational feminism, feminist art, artivism
Sažetak
The course addresses various modalities, past and present, of feminist creativity, critical reflection and political engagement through art. We are keen on pointing to local genealogies of feminist artivist and transfor¬mative practices, which have often been neglected, as some of the most vital and internationally renowned contributions to the Balkan region’s art histories. The discussion that we (re)open this year con-cerns the validity and the resilience artistic practices demonstrate when thematiz¬ing, confronting, or even transforming such pernicious processes, as well as the regional and global resonances these practices engender, not to mention the even¬tual concrete outcomes and metamorphoses they manage to provoke. This brings us back to a more general (self-)reflection upon the out¬line, the efficacy, and the status of feminist aesthetics within the broader critical context of feminist theory, epistemology, and politics: how does it reframe the his¬torical and current roles of art – literature, cinema, theatre, film, plastic and body art, and especially transmedial experiments – in invigorating personal and collective resistance to oppression, whether it happens in familial or institutional settings
Izvorni jezik
Engleski
Znanstvena područja
Etnologija i antropologija, Interdisciplinarne humanističke znanosti, Rodni studiji
