Pregled bibliografske jedinice broj: 1252408
Monuments on Display. International Exhibitions of Yugoslav Memorial Production
Monuments on Display. International Exhibitions of Yugoslav Memorial Production // Razstavljanje na Slovenskem II : simpozij o razstavljanju likovne umetnosti, arhitekture in oblikovanja ter o razstavnih institucijah na Slovenskem : zbornik povzetkov = Exhibiting in Slovenia II : symposium on exhibiting of art, architecture, and design, and exhibition institutions in Slovenia : book of abstract / Jurman, Urška (ur.).
Ljubljana: Znanstvena založba Filozofske fakultete Univerze v Ljubljani, 2022. str. 45-45 (predavanje, međunarodna recenzija, sažetak, znanstveni)
CROSBI ID: 1252408 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Monuments on Display. International Exhibitions of
Yugoslav Memorial Production
Autori
Horvatinčić, Sanja
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
Razstavljanje na Slovenskem II : simpozij o razstavljanju likovne umetnosti, arhitekture in oblikovanja ter o razstavnih institucijah na Slovenskem : zbornik povzetkov = Exhibiting in Slovenia II : symposium on exhibiting of art, architecture, and design, and exhibition institutions in Slovenia : book of abstract
/ Jurman, Urška - Ljubljana : Znanstvena založba Filozofske fakultete Univerze v Ljubljani, 2022, 45-45
ISBN
978-961-06-0604-8
Skup
Exhibiting in Slovenia: Symposium on Exhibiting of Art, Architecture, and Design, and Exhibition Institutions in Slovenia
Mjesto i datum
Ljubljana, Slovenija, 21.04.2022. - 22.04.2022
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Socialist Yugoslav monuments, International exhibitions, Non-Aligned Movement
Sažetak
In the last ten years, Yugoslav monuments have enjoyed widespread international visibility and attention. While the post-socialist context of such displays would require a separate analysis, this paper will focus on Yugoslav politics and models of exhibiting monuments to the Peoples’ Liberation Struggle and the Socialist Revolution in the international context. Conveying both artistic and political commitments, modernist monuments appeared as an effective cultural diplomatic tool already in the 1960s, in the context of Yugoslavia’s non-aligned geopolitical and cultural strategy. In this paper Horvatinčić presents several models of international display of Yugoslav monuments: from multilingual photo publications in the 1960s through solo exhibitions of individual artists in 1970 (M. Živković, D. Džamonja, S. Tihec), to diplomatic exhibitions that travelled across the world in the 1980s. The analysis will focus on two case studies: the exhibition of Yugoslav monuments at the 1980 Venice Biennale, curated by Zoran Kržišnik, and the travelling exhibition Yugoslav Memorial Sculpture, produced in 1984/85 by the Museum of the Revolution of Yugoslav People in Belgrade, which travelled to Mexico, USSR, Cuba, Angola, and Mozambique. Based on archival research, she will try to reconstruct both of these exhibitions, and their respective representative strategies and discourses.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
POVEZANOST RADA
Projekti:
HRZZ-IPS-2020-01-3992 - Modeli i prakse globalne i kulturne razmjene i pokret Nesvrstanih zemalja. Istraživanja prostorno-vremenske kulturne dinamike (GLOB_Exchange) (Kolešnik, Ljiljana, HRZZ - 2020-01) ( CroRIS)
Ustanove:
Institut za povijest umjetnosti, Zagreb
Profili:
Sanja Horvatinčić
(autor)