Pregled bibliografske jedinice broj: 1251482
A Midterm Plan – Petar Dabac and His Initiative of Establishing a National Museum of Photography
A Midterm Plan – Petar Dabac and His Initiative of Establishing a National Museum of Photography // Formats of (Non) Seeing / Bosnić, Tomislav ; Lovrenčić, Lana (ur.).
Zagreb: Institut za povijest umjetnosti, 2022. str. 50-51 (predavanje, nije recenziran, sažetak, znanstveni)
CROSBI ID: 1251482 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
A Midterm Plan – Petar Dabac and His Initiative of Establishing a National Museum of Photography
Autori
Lovrenčić, Lana
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
Formats of (Non) Seeing
/ Bosnić, Tomislav ; Lovrenčić, Lana - Zagreb : Institut za povijest umjetnosti, 2022, 50-51
ISBN
978-953-373-014-1
Skup
Conference Formats of (Non)Seeing
Mjesto i datum
Split, Hrvatska, 27.10.2022. - 29.10.2022
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Nije recenziran
Ključne riječi
museum of photography ; photography ; photographic estates
Sažetak
In 1986, a renowned Zagreb photographer and culture worker Petar Dabac published a paper on the need of establishing a national museum of photography in Zagreb, emphasising that society will only be able to think about the future of photography once “we have preserved its most significant achievements from destruction”. This initiative was a result of his then 16-year-long experience in managing a photographic studio and an archive, but also of a tight connection with the Styrian photographic scene, especially Camera Austria and Forum Stadtpark. This paper will present Dabac’s initiative of establishing a national museum of photography, a proposal made in a specific period of the 80s, shedding light on the circumstances and the international network of knowledge and experience that preceded it. It will also pose a question of the museum’s importance today, especially while having in mind that the Dabac studio, first under Tošo, then under Petar Dabac, actively shaped the Yugoslav and Croatian photographic scene for more than half a century and that the question of artistic, historical, sociological and epistemological importance of photographic estates as well as the question of the physical condition of photographic material and its safekeeping is still unresolved in today’s Croatia.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti, Interdisciplinarne humanističke znanosti
POVEZANOST RADA
Projekti:
HRZZ-IP-2019-04-1772 - Teme i aspekti hrvatske fotografije od 19. stoljeća do danas (Ekspozicija) (Križić Roban, Sandra, HRZZ - 2019-04) ( CroRIS)
Ustanove:
Institut za povijest umjetnosti, Zagreb
Profili:
Lana Lovrenčić
(autor)