Pregled bibliografske jedinice broj: 1249851
Deconstructing and Re-constructing the Fictional Universe: On Two Opposite Examples of Contemporary Metadrama
Deconstructing and Re-constructing the Fictional Universe: On Two Opposite Examples of Contemporary Metadrama // Amfiteater. Revija za teorijo scenskih umetnosti. Journal of Performing Arts Theory., 10 (2022), 1; 43-54 doi:10.51937/Amfiteater-2022-1/42-53 (međunarodna recenzija, članak, znanstveni)
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Naslov
Deconstructing and Re-constructing the Fictional
Universe: On Two Opposite Examples of Contemporary
Metadrama
Autori
Lada Čale Feldman
Izvornik
Amfiteater. Revija za teorijo scenskih umetnosti. Journal of Performing Arts Theory. (1855-4539) 10
(2022), 1;
43-54
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
closure of representation ; deconstruction ; metadrama ; Shakespeare ; Calderon ; Rambert ; Crouch
Sažetak
The paper discusses how metadramatic modalities of simultaneous deconstruction and reconstruction of the fictional universe figure in two contemporary plays, Pascal Rambert’s The closure of love (2011) and Tim Crouch’s The Author (2009). The discussion reveals that two much-acclaimed plays belong to a resilient self-reflective line of dramas questioning the closure of representation that starts in the early modern period with such classical pieces as Shakespeare’s Hamlet and Calderon’s The Great Theatre of the World.
Izvorni jezik
Engleski
Znanstvena područja
Filologija, Kazališna umjetnost (scenske i medijske umjetnosti)
Citiraj ovu publikaciju:
Uključenost u ostale bibliografske baze podataka::
- MLA International Bibliography
