Naslov
Glazbeni rukopisi Josepha (Giuseppea) Mariae Cordansa (1741./1742.) i drugi glazbeni izvori iz franjevačkog samostana na Košljunu
(Chant manuscripts by Joseph (Giuseppe) Maria Cordans (1741/1742) and other chant sources from the Franciscan monastery of Košljun)

Autori
Breko Kustura, Hana

Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni

Knjiga
MUSIC, MIGRATION AND EUROPEAN CULTURE.ESSAYS IN HONOUR OF VJERA KATALINIĆ

Urednik/ci
Cavallini, Ivano

Izdavač
Hrvatsko muzikološko društvo

Grad
Zagreb

Godina
2020

Raspon stranica
455-466

ISBN
978-953-6090-67-9

Ključne riječi
Kantual, Joseph M. Cordans, cantus fractus

Sažetak
This article presents a continuation of research on the same subject by Vjera Katalinić. Katalinić reviewed the musical collection of the Franciscan monastery in Košljun (an inventory of the manuscripts and the printed musical sources). The investigation presented here points to the existence of three important music manuscripts in cantus fractus style dating from the 17th and the first half of the 18th centuries (1709, 1741, 1742) housed in the Franciscan monastery in Košljun. This research was undertaken as part of the Cromuscodex70 project supported by the Croatian Science Foundation, IP 6619, in 2019. It determines the typology of the liturgical books to which the sources belong, and points to their specific musical content and types of chant. The author who copied three of the cantus fractus sources kept today in Košljun was a Venetian authority from the San Francesco della Vigna monastery – Joseph (Giuseppe) Maria Cordans (1694 – 1766). His manuscripts are to be found in today’s Croatian church provinces in Dalmatia and Slavonia, as well as in the Croatian hinterland (Dalmatinska zagora). This represents concrete evidence of a musical ‘transfer’ of Italian chant practice and knowledge of cantus fractus on the Eastern Adriatic coast. In this way, a common European corpus of related repertory was created. Although we can testify to the existence of the common Franciscan supplement of chant manuscript for mass and offi ce in almost every monastery, certain ecclesiastical provinces began to introduce their own manuscripts and specific repertory in a completely autonomous manner, as was the case with the Košljun com-munity. We are able to show this autonomy in the representation of three different sources that testify to relations with related contexts, especially Italian ones as well as the presence of their own, local chants.

Izvorni jezik
Hrvatski

Znanstvena područja
Znanost o umjetnosti

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