Naslov
Slavuj piva… - Contemporary Scenic Interpretation of the Croatian Traditional Music and Dance

Autori
Niemčić, Iva ; Ćaleta, Joško

Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni

Knjiga
Seventh Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe: Place, Space and Resistance

Urednik/ci
Mellish, Liz ; Green, Nick ; Ogul, Belma

Izdavač
ICTM, Trabzon University State Conservatory

Grad
Trabzon

Godina
2022

Raspon stranica
186-195

ISBN
978-625-7739-01-6

Ključne riječi
Croatian traditional music, dance, stage, performance

Sažetak
The staging of Croatian traditional music and dance in the form of short choreographic performances can be traced back to the first half of the 20th century, when the Peasant Union (Seljačka Sloga) and first folklore festivals were established. The establishment of the Lado professional folk dance ensemble in 1949 and the professionalization of the profession introduced the rules/laws and the various approaches of presenting the dance tradition on the stage. The presentation will chronologically examine the development and changes in the approaches to transmission and presentation of folk dancing tradition on the Croatian scene. The modern way of life that replaced the traditional one has had consequences for the development of traditional village culture. A break in the tradition of "direct" learning has led to the almost complete disappearance of particular styles and genres such as ‘ojkanje’. The original context of ‘ojkanje’ – vocal communication in open living spaces – has today been replaced with the practice of public performances, most often at local or regional festivals and social gatherings of local communities. Having in mind the multiplicity of possible intersecting and layer overlapping of music and spaces, a case study (Harmonija disonance) will present the contemporary ways, places and spaces for performance.

Izvorni jezik
Engleski

Znanstvena područja
Etnologija i antropologija

POVEZANOST RADA