Pregled bibliografske jedinice broj: 1233584
Cultural Opposition in Socialist Yugoslavia: a Case Study of Croatian Writers, 1952-1971
Cultural Opposition in Socialist Yugoslavia: a Case Study of Croatian Writers, 1952-1971 // Social, Gender and Political History
Zagreb, Hrvatska, 2022. str. 13-13 (predavanje, podatak o recenziji nije dostupan, sažetak, znanstveni)
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Naslov
Cultural Opposition in Socialist Yugoslavia: a
Case Study of Croatian
Writers, 1952-1971
Autori
Dino Staničić
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
Social, Gender and Political History
/ - , 2022, 13-13
Skup
Doctoral Conference:Social, Gender and Political History
Mjesto i datum
Zagreb, Hrvatska, 04.06.2022
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Podatak o recenziji nije dostupan
Ključne riječi
Socialist Yugoslavia, Cultural Opposition, Literature, Writers
Sažetak
In socialist Yugoslavia following the Tito-Stalin break, new ideas emerged in the ideological, political, and cultural spheres. Despite some setbacks, after 1952, the cultural field was relatively open when compared to other socialist countries. In Croatia after 1966, a combination of cultural, political, and economic demands formed what is often described as a national movement (The Croatian Spring). Before Tito abruptly ended it in late 1971, this continuous reshaping created a specific ideological atmosphere in which individuals and groups probed the limits of the Yugoslav cultural and political freedom. The case of the later dissident Milovan Đilas in 1954 was an early sign of how far would the Communist Party allow this process to unfold. However, other, more subtle types of critique continued throughout this period. I will approach them using the concept of cultural opposition, as it provides a wider research perspective and takes into account not only open political resistance but various forms of cultural criticism as well. In this paper, I will present such cases in the field of literature. The aim is to examine the writings and activities of those Croatian writers who promoted reformist 'liberal' ideas and often a firm Croatian national stance. I believe it is possible to outline a thread of continuity in their acts of cultural 'disobedience' several years before the Croatian Spring unfolded. This should take us a step further in our understanding of cultural and intellectual freedom in socialist Yugoslavia after the Tito-Stalin break.
Izvorni jezik
Engleski
Znanstvena područja
Povijest