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Pregled bibliografske jedinice broj: 1231868

What is the Image of Truth? Two Women Documenting the Aftermath of War in Croatia


Križić Roban, Sandra
What is the Image of Truth? Two Women Documenting the Aftermath of War in Croatia // Expanded Visualities. Photography & Emerging Technologies
Nicosia, Cipar, 2022. (predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni)


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Naslov
What is the Image of Truth? Two Women Documenting the Aftermath of War in Croatia

Autori
Križić Roban, Sandra

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni

Skup
Expanded Visualities. Photography & Emerging Technologies

Mjesto i datum
Nicosia, Cipar, 17. - 19. 11. 2022

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
istina u fotografiji, Sandra Vitaljić, Ana Opalić, trauma, posljedice destrukcije, “cameraless” fotografija
(truth in photography, Sandra Vitaljić, Ana Opalić, trauma, consequences of destruction, cameraless photography)

Sažetak
The problem of utilising and controlling photographs for social means is well-known in the local historical-political discourse. As Yugoslavia was breaking up (1989–1992), the media started conveying images in a particular way. The question of truth, or at least reporting about events as objectively as possible, functioned through the prism of extreme societal polarisation. All sides used images to justify their nationalistic, religious, and other worldviews. After the war, these same photographs shaped the collective memory. However, the problem arose when we were faced with the fact that the collective no longer existed. This paper will introduce two women photographers – Sandra Vitaljić and Ana Opalić, focusing primarily on the consequences of destruction, with a strong sense of social structure, while recording conditions long after the conflicts have officially ended. It will examine how the complex construction of war can be made visible and incorporated in artistic production, if reality is mediated, rather than seen (and/or photographed).

Izvorni jezik
Engleski

Znanstvena područja
Povijest umjetnosti, Interdisciplinarne humanističke znanosti, Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika), Likovne umjetnosti, Rodni studiji



POVEZANOST RADA


Projekti:
HRZZ-IP-2019-04-1772 - Teme i aspekti hrvatske fotografije od 19. stoljeća do danas (Ekspozicija) (Križić Roban, Sandra, HRZZ - 2019-04) ( CroRIS)

Ustanove:
Institut za povijest umjetnosti, Zagreb

Profili:

Avatar Url Sandra Križić Roban (autor)


Citiraj ovu publikaciju:

Križić Roban, Sandra
What is the Image of Truth? Two Women Documenting the Aftermath of War in Croatia // Expanded Visualities. Photography & Emerging Technologies
Nicosia, Cipar, 2022. (predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni)
Križić Roban, S. (2022) What is the Image of Truth? Two Women Documenting the Aftermath of War in Croatia. U: Expanded Visualities. Photography & Emerging Technologies.
@article{article, author = {Kri\v{z}i\'{c} Roban, Sandra}, year = {2022}, keywords = {istina u fotografiji, Sandra Vitalji\'{c}, Ana Opali\'{c}, trauma, posljedice destrukcije, “cameraless” fotografija}, title = {What is the Image of Truth? Two Women Documenting the Aftermath of War in Croatia}, keyword = {istina u fotografiji, Sandra Vitalji\'{c}, Ana Opali\'{c}, trauma, posljedice destrukcije, “cameraless” fotografija}, publisherplace = {Nicosia, Cipar} }
@article{article, author = {Kri\v{z}i\'{c} Roban, Sandra}, year = {2022}, keywords = {truth in photography, Sandra Vitalji\'{c}, Ana Opali\'{c}, trauma, consequences of destruction, cameraless photography}, title = {What is the Image of Truth? Two Women Documenting the Aftermath of War in Croatia}, keyword = {truth in photography, Sandra Vitalji\'{c}, Ana Opali\'{c}, trauma, consequences of destruction, cameraless photography}, publisherplace = {Nicosia, Cipar} }




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