Pregled bibliografske jedinice broj: 1231868
What is the Image of Truth? Two Women Documenting the Aftermath of War in Croatia
What is the Image of Truth? Two Women Documenting the Aftermath of War in Croatia // Expanded Visualities. Photography & Emerging Technologies
Nicosia, Cipar, 2022. (predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni)
CROSBI ID: 1231868 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
What is the Image of Truth? Two Women Documenting
the Aftermath of War in Croatia
Autori
Križić Roban, Sandra
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni
Skup
Expanded Visualities. Photography & Emerging Technologies
Mjesto i datum
Nicosia, Cipar, 17. - 19. 11. 2022
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
istina u fotografiji, Sandra Vitaljić, Ana Opalić, trauma, posljedice destrukcije, “cameraless” fotografija
(truth in photography, Sandra Vitaljić, Ana Opalić, trauma, consequences of destruction, cameraless photography)
Sažetak
The problem of utilising and controlling photographs for social means is well-known in the local historical-political discourse. As Yugoslavia was breaking up (1989–1992), the media started conveying images in a particular way. The question of truth, or at least reporting about events as objectively as possible, functioned through the prism of extreme societal polarisation. All sides used images to justify their nationalistic, religious, and other worldviews. After the war, these same photographs shaped the collective memory. However, the problem arose when we were faced with the fact that the collective no longer existed. This paper will introduce two women photographers – Sandra Vitaljić and Ana Opalić, focusing primarily on the consequences of destruction, with a strong sense of social structure, while recording conditions long after the conflicts have officially ended. It will examine how the complex construction of war can be made visible and incorporated in artistic production, if reality is mediated, rather than seen (and/or photographed).
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti, Interdisciplinarne humanističke znanosti, Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika), Likovne umjetnosti, Rodni studiji
POVEZANOST RADA
Projekti:
HRZZ-IP-2019-04-1772 - Teme i aspekti hrvatske fotografije od 19. stoljeća do danas (Ekspozicija) (Križić Roban, Sandra, HRZZ - 2019-04) ( CroRIS)
Ustanove:
Institut za povijest umjetnosti, Zagreb
Profili:
Sandra Križić Roban
(autor)