Pregled bibliografske jedinice broj: 1216448
Writing High and Low: Generic, Stylistic, Geographic and Social Stratifications of the Baroque Latin Poetry in South Eastern Europe
Writing High and Low: Generic, Stylistic, Geographic and Social Stratifications of the Baroque Latin Poetry in South Eastern Europe // Baroque Latinity. A conference organized by The Society for Neo-Latin Studies & The Cambridge Society for Neo-Latin Studies (Jacqueline Glomski, Gesine Manuwald, Andrew Taylor)
Cambridge, Ujedinjeno Kraljevstvo, 2021. (predavanje, međunarodna recenzija, neobjavljeni rad, znanstveni)
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Naslov
Writing High and Low:
Generic, Stylistic, Geographic and Social Stratifications of the Baroque Latin Poetry in South Eastern Europe
(Generic, Stylistic, Geographic and Social Stratifications of the Baroque Latin Poetry in South Eastern Europe)
Autori
Stepanić, Gorana
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni
Skup
Baroque Latinity. A conference organized by The Society for Neo-Latin Studies & The Cambridge Society for Neo-Latin Studies (Jacqueline Glomski, Gesine Manuwald, Andrew Taylor)
Mjesto i datum
Cambridge, Ujedinjeno Kraljevstvo, 17.09.2021. - 18.09.2021
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
Neo-Latin Baroque poetry, Baroque style
Sažetak
The Baroque literary style spread across European catholic and protestant literatures during the 17th century. As in many vernacular languages, it can also be found in the Latin poetry of the period, even in the periphery of the Republic of Letters, in the south-eastern parts of Habsburg territories and the Ragusan Republic in the Eastern Adriatic, which were parts of modern-day Croatia. In this paper I am going to present stylistically typical fragments from the Neo-Latin Baroque by three Croatian Neo-Latin poets (Đurđević, Vičić, Ritter Vitezović), originating from different zones of cultural influence: the Italian-influenced Adriatic coast and the Habsburg heartland. The stylistic and generic traits of their poetry thus present great differences: while in the North one observes a lasting fashion of pattern poetry and technopaegnia along with the exuberant style, the coastal poets were less prone to formal experiments and more likely to use sophisticated concetto within the traditional classical generic system. I will try to explain that difference by social stratification of the Neo-Latin poetry market in the two zones: on its „high end“ there is the poetry based on classical genres, intended for private reading, aesthetic and intellectual pleasure ; on the opposite side there is the massively produced occasional poetry within fashionable genres (anagrams, rebuses). This post-humanist generic and social “dropping“ of Latin poetry is seen as a phenomenon parallel to Central European Volksbarock in architecture.
Izvorni jezik
Engleski
Znanstvena područja
Filologija
