Pregled bibliografske jedinice broj: 1213418
John Ford's Hamlet, or the Western as an American Mourning Play
John Ford's Hamlet, or the Western as an American Mourning Play // 10th Annual CAAS Workshop. Breaking Stereotypes in American Popular Culture
Osijek, Hrvatska, 2022. (predavanje, domaća recenzija, neobjavljeni rad, znanstveni)
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Naslov
John Ford's Hamlet, or the Western as an American Mourning Play
Autori
Jukić, Tatjana
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni
Skup
10th Annual CAAS Workshop. Breaking Stereotypes in American Popular Culture
Mjesto i datum
Osijek, Hrvatska, 09.09.2022. - 10.09.2022
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Domaća recenzija
Ključne riječi
John Ford, Hamlet, the Western, American cinema
Sažetak
It could be argued that the Western epitomizes film as an American art, to which the gunfight at the O.K. Corral (1881) supplies a specimen story and a story of origin--a proposition supported by the fact that Wyatt Earp eventually acted as a consultant to early Hollywood filmmakers, including young John Ford. In Ford's version of the gunfight at the O.K. Corral--My Darling Clementine (1946)--the story invites to be considered against an emphatic reference to Shakespeare's Hamlet, suggesting that Hamlet ultimately captures the constitution of the Western, and anticipates the seminal function of American cinema in the ideation of modernity. With a focus on My Darling Clementine, I propose to analyze how Hamlet is accommodated and transformed in the Western, while Ford, freshly returned from World War II, claims for the Western the rationale and the rationality of the early modern mourning play. What is finally at stake is America as a laboratory of political modernity, whose own rationale relies on the thinking of transformation.
Izvorni jezik
Engleski
Znanstvena područja
Filologija, Znanost o umjetnosti