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Pregled bibliografske jedinice broj: 1211641

The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s


Vukobratović, Jelka
The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s // MUZIKOLOGIJA-MUSICOLOGY, 1 (2022), 32; 109-123 doi:https://.org/10.2298/MUZ2232109V (međunarodna recenzija, članak, znanstveni)


CROSBI ID: 1211641 Za ispravke kontaktirajte CROSBI podršku putem web obrasca

Naslov
The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s

Autori
Vukobratović, Jelka

Izvornik
MUZIKOLOGIJA-MUSICOLOGY (1450-9814) 1 (2022), 32; 109-123

Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni

Ključne riječi
copyright, record industry, Croatia, Yugoslavia, popular music

Sažetak
Te article investigates the connection between the early record industry and the development of copyright legislation in Croatia and the former Yugoslavia between 1929 and the 1960s. Special atention is given to the topic of the implementation of copyright and the related rights within domestic record production in the selected period. Te concept of the author, partly constructed through the implementation of copyright, is then reconsidered in the example of early Yugoslavian popular music

Izvorni jezik
Engleski

Znanstvena područja
Znanost o umjetnosti



POVEZANOST RADA


Projekti:
HRZZ-IP-2019-04-4175 - Diskografska industrija u Hrvatskoj od 1927. do kraja 1950-ih (DISKOGRAF) (Ceribašić, Naila, HRZZ - 2019-04) ( CroRIS)

Ustanove:
Muzička akademija, Zagreb

Profili:

Avatar Url Jelka Vukobratović (autor)

Poveznice na cjeloviti tekst rada:

doi muzikologija-musicology.com

Citiraj ovu publikaciju:

Vukobratović, Jelka
The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s // MUZIKOLOGIJA-MUSICOLOGY, 1 (2022), 32; 109-123 doi:https://.org/10.2298/MUZ2232109V (međunarodna recenzija, članak, znanstveni)
Vukobratović, J. (2022) The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s. MUZIKOLOGIJA-MUSICOLOGY, 1 (32), 109-123 doi:https://.org/10.2298/MUZ2232109V.
@article{article, author = {Vukobratovi\'{c}, Jelka}, year = {2022}, pages = {109-123}, DOI = {https://doi.org/10.2298/MUZ2232109V}, keywords = {copyright, record industry, Croatia, Yugoslavia, popular music}, journal = {MUZIKOLOGIJA-MUSICOLOGY}, doi = {https://doi.org/10.2298/MUZ2232109V}, volume = {1}, number = {32}, issn = {1450-9814}, title = {The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s}, keyword = {copyright, record industry, Croatia, Yugoslavia, popular music} }
@article{article, author = {Vukobratovi\'{c}, Jelka}, year = {2022}, pages = {109-123}, DOI = {https://doi.org/10.2298/MUZ2232109V}, keywords = {copyright, record industry, Croatia, Yugoslavia, popular music}, journal = {MUZIKOLOGIJA-MUSICOLOGY}, doi = {https://doi.org/10.2298/MUZ2232109V}, volume = {1}, number = {32}, issn = {1450-9814}, title = {The Introduction of Copyright in the Early Record Industry and Implications of Authorship for Popular Music in Croatia from 1929–1960s}, keyword = {copyright, record industry, Croatia, Yugoslavia, popular music} }

Časopis indeksira:


  • Web of Science Core Collection (WoSCC)
    • Emerging Sources Citation Index (ESCI)


Citati:





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