Naslov
Splitski arhivi
(Split Archives)

Autori
Popović, Viktor

Vrsta, podvrsta
Ostale vrste radova, izložba

Godina
2018

Ključne riječi
umjetnička instalacija ; arhiv ; fotografija ; digitalni ispis ; filteri za korekciju boje ; svijetleće fluo cijevi
(art installation ; archive ; photography ; digital print ; colour correction filters ; fluorescent light tubes)

Sažetak
Split Archives, Galerija C24, New York, SAD, kustosica Meghan Schaetzle (6.ožujka – 21.travnja 2018.) ; The postwar architecture of former Yugoslavia was a direct response to the demands and influences of its time. Forward thinking in its approach, modern architectural design not only solved the issue of expansion, but preserved the identity of the area - it provided a way forward. In Split Archives, Popović focuses on the city archives of his hometown in Split, Croatia, where the developmental projects became a paradigmatic example of the exceptional urban planning and architectural practices during this time. Through the utilization of found objects and raw industrial materials such as fluorescent light tubes and color correction filters, Popović’s hybrid light installations probe the relationship between artwork and object, audience, history, and environment. The artist’s interventions on enlarged archival photographs of architectural models (Untitled Archive ST3), and the interiors of the fully realized Military Hospital (Untitled Archive ST3: Military Hospital), re- contextualize the imagery and form a connection between new materials, and the original processes and states of the depicted architecture. The finished artwork questions the position of personal and social memory, in relation to the tradition of socialist, modernist architecture. Positioned in the gallery’s atrium is the spatially dominant highlight of the exhibition: an installation made of reclaimed iron hospital beds that had once been used in the original military hospital depicted in the photographs. The structure itself is representative of the elements innately associated with Modern architecture - simple, clean lines, basic geometric forms, and rectangular shapes. The discarded hospital beds carry traces of use, and in a sense act as carriers of memory. The buildings and projects produced during this time are a clear reflection of the social and cultural context of the socialist period in this area. The former lack of representation in architectural history is brought to the forefront, and reconsidered through the lens of Popovic’s installations. Fueled by personal experience and memory, the installations dematerialize the original functions of the objects and represented places, and ask the viewer to consider not just the materials and artworks themselves but also the lost utopian projects of the time, and their forgotten values.

Izvorni jezik
Engleski

Znanstvena područja
Arhitektura i urbanizam, Likovne umjetnosti

POVEZANOST RADA