Pregled bibliografske jedinice broj: 1201780
“Belle fantasie e leggiadre invenzioni” in Lukačić’s motet Sicut cedrus
“Belle fantasie e leggiadre invenzioni” in Lukačić’s motet Sicut cedrus // Ivan Lukačić, kapelnik splitske katedrale / Ivan Lukačić, Maestro di Cappella of the Cathedral of Split / Prović, Mihael ; Žuro, Doris (ur.).
Split: Katolički bogoslovni fakultet Sveučilišta u Splitu ; Umjetnička akademija Sveučilišta u Splitu, 2022. str. 147-177 (predavanje, domaća recenzija, cjeloviti rad (in extenso), znanstveni)
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Naslov
“Belle fantasie e leggiadre invenzioni” in Lukačić’s
motet Sicut cedrus
Autori
Balić, Vito
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
Ivan Lukačić, kapelnik splitske katedrale / Ivan Lukačić, Maestro di Cappella of the Cathedral of Split
/ Prović, Mihael ; Žuro, Doris - Split : Katolički bogoslovni fakultet Sveučilišta u Splitu ; Umjetnička akademija Sveučilišta u Splitu, 2022, 147-177
ISBN
978-953-8429-09-5
Skup
Međunarodno znanstveni-umjetnički simpozij (povodom 400. obljetnice izdanja zbirke Sacrae cantiones) = International Scientific-artistic Symposium (on the Occasion of the 400 Anniversary of the Publication of Sacrae Cantiones Collection)
Mjesto i datum
Split, Hrvatska, 12.11.2020. - 14.11.2020
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Domaća recenzija
Ključne riječi
small-scale motet, responsory, basso continuo, monody, Sacrae Cantiones, 17th century, Split Cathedral, motivic development
Sažetak
It is still little known about the musical education of Ivan Lukačić and his collection Sacrae Cantiones (Venice, 1620). Therefore, this article deals with the historical, liturgical and musical aspects of the solo motet Sicut cedrus with basso continuo accompaniment. It retains the liturgical musical form of the great responsory and merges with the motet style, but in one developmental continuity from the initial motive. The analysis and comparison with the related works of his contemporaries reveal the richness of Lukačić’s musical language. It adopted compositional techniques of both styles (prima and seconda prattica) and the elements of three musical genres, motet, madrigal, and concerto, which influenced church music in the first decades of the 17th century. We also recognize the influence of the motet tradition of Roman church music (Viadana, Cifra) and the compositional techniques adopted from his Franciscan confreres (Finetti, Viadana and Mortaro).
Izvorni jezik
Engleski
Znanstvena područja
Glazbena umjetnost
Napomena
Rad je objavljen na hrvatskom i engleskom jeziku
