Pregled bibliografske jedinice broj: 1200613
The making of historically informed reconstruction of the upper part of the baroque sculpture of an angel from Kaštel Novi (Croatia)
The making of historically informed reconstruction of the upper part of the baroque sculpture of an angel from Kaštel Novi (Croatia) // 6th International Meeting on Retouching of Cultural Heritage 2021 – book of abstracts
Valencia: Instituto Universitario de Restauración del Patrimonio (IRP) of the Unversitat Politecnica de Valencia, 2021. str. 53-53 (poster, podatak o recenziji nije dostupan, sažetak, stručni)
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Naslov
The making of historically informed reconstruction of the upper part of the baroque sculpture of an angel from Kaštel Novi (Croatia)
Autori
Strinić, Katarina ; Šustić Cvetković, Sandra ; Vidaković, Larisa ; Jozić, Robert
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, stručni
Izvornik
6th International Meeting on Retouching of Cultural Heritage 2021 – book of abstracts
/ - Valencia : Instituto Universitario de Restauración del Patrimonio (IRP) of the Unversitat Politecnica de Valencia, 2021, 53-53
Skup
6th International Meeting on Retouching of Cultural Heritage (RECH3 2021)
Mjesto i datum
Online, 04.12.2021. - 06.12.2021
Vrsta sudjelovanja
Poster
Vrsta recenzije
Podatak o recenziji nije dostupan
Ključne riječi
conservation of polycrome wood sculpture ; historically informed reconstruction ; woodcarving ; ground ; polychromy ; gilding
Sažetak
During the academic year 2019/2020, as a part of a master's thesis on the Arts Academy of the University of Split, an extensive conservation and restoration treatment was carried out on the baroque sculpture of angel from the parish of St. Peter the Apostle in Kaštel Novi. (Croatia). As an additional part of the project, a historically informed reconstruction of the upper part of the sculpture has been made in front of the original. The intent was to explore the complexity of the practical process behind its production. This poster will focus on four main aspects of the reconstruction: the woodcarving, ground, polychromy and the gilding. The attempt was made to achieve the texture and the luminosity evident on the original. The selection of materials and tools was guided by the results of technical analyses performed on the original sculpture. However, given that the artistic materials available today differ significantly from those used in the past, their handling posed many practical challenges, which, were mostly related to the physical appearance of the polychromy. Even with limitations mentioned above, the project provided a valuable insight into the methods used by the Baroque masters, which may be useful learning experience for future conservation projects. Moreover, the reconstruction, lacking any ageing features, enabled a better understanding of how the original sculpture might have look like when it was freshly made.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti, Znanost o umjetnosti, Likovne umjetnosti
POVEZANOST RADA
Ustanove:
Umjetnička akademija, Split,
Hrvatski restauratorski zavod