Pregled bibliografske jedinice broj: 1199021
The Northern-Italian Caecilian Repertoire in Dalmatia: Three Case Studies
The Northern-Italian Caecilian Repertoire in Dalmatia: Three Case Studies // Između Srednje Europe i Mediterana: glazba, književnost i izvedbene umjetnosti / Between Central Europe and Mediterranean: Music, Literature and Performing Arts / Tomić Ferić, Ivana ; Marić, Antonela (ur.).
Split: Umjetnička akademija Sveučilišta u Splitu ; Filozofski fakultet Sveučilišta u Splitu, 2021. str. 79-101
CROSBI ID: 1199021 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
The Northern-Italian Caecilian Repertoire in
Dalmatia: Three Case Studies
Autori
Jankov, Mirko ; Milošević Carić, Maja
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Između Srednje Europe i Mediterana: glazba, književnost i izvedbene umjetnosti / Between Central Europe and Mediterranean: Music, Literature and Performing Arts
Urednik/ci
Tomić Ferić, Ivana ; Marić, Antonela
Izdavač
Umjetnička akademija Sveučilišta u Splitu ; Filozofski fakultet Sveučilišta u Splitu
Grad
Split
Godina
2021
Raspon stranica
79-101
ISBN
978-953-6617-54-8
Ključne riječi
Cecilijanski pokret ; Hvar ; Stari Grad ; Vranjic
(Caecilian movement ; Hvar ; Stari Grad ; Vranjic)
Sažetak
The breakthrough of the Caecilian movement in Dalmatia began in the second half of the 19th century and – given the specific social, cultural and political ties of the two Adriatic coasts – its currents flewed somewhat stronger from the northern parts of Italy. Preserved archival musical sources indicate that sacred music pieces written by North-Italian Caecilian composers became part of the repertoire of cathedrals, monasteries and parish chapels throughout Dalmatia most notably in the late 19th and early 20th centuries. However, although most of them gradually disappeared from the ecclesiastical repertories in Dalmatia, especially with the weakening of the Caecilian movement from the 1930s, contemporary performing practice shows that particular works have been performed to this day, becoming valuable parts of local „living“ singing traditions. "Dalmatian" past and present of the North-Italian Caecilian music will be sketched in this paper, based on the study of three cases: the Cathedral of St. Stephen in Hvar, the Dominican Convent Church of St. Peter the Martyr in Stari Grad and the Parish Church of St. Martin in Vranjic. Conclusions on the beginnings and continuity of its performances will be sought by consulting the archival musical sources of the three considered localities, but also through an insight into contemporary music practice there, which testifies the implementation of the (North)- Italian) Caecilian repertory and its expression in the local one.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
POVEZANOST RADA
Projekti:
HRZZ-IP-2016-06-2061 - Glazbeni izvori Dalmacije u kontekstu srednjoeuropske i mediteranske glazbene kulture od 18. do 20. stoljeća (GIDAL) (Tomić-Ferić, Ivana, HRZZ - 2016-06) ( CroRIS)
Ustanove:
Umjetnička akademija, Split