Pregled bibliografske jedinice broj: 1174239
Ethnicity and the Shellac Market After WWII: Ethnicities of Former Socialist Yugoslavia and Their Position in Record Industry on the Example of Jugoton Rec. Co.
Ethnicity and the Shellac Market After WWII: Ethnicities of Former Socialist Yugoslavia and Their Position in Record Industry on the Example of Jugoton Rec. Co. // 55th Annual ARSC Conference / Brinegar, Terri (ur.).
online, 2021. str. 18-19 (predavanje, međunarodna recenzija, sažetak, znanstveni)
CROSBI ID: 1174239 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Ethnicity and the Shellac Market After WWII:
Ethnicities of Former Socialist Yugoslavia and
Their Position in Record Industry on the Example
of Jugoton Rec. Co.
Autori
Dunatov, Dora
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
55th Annual ARSC Conference
/ Brinegar, Terri - , 2021, 18-19
Skup
55th Annual Association for Recorded Sound Collections ARSC Conference (ARSC 2021)
Mjesto i datum
Online, 12.05.2021. - 15.05.2021
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
record industry ; 78 rpm records ; Yugoslavia ; ethnic music ; Jugoton
Sažetak
In 1947, two years after the Socialist Federal Republic of Yugoslavia was founded, the country saw emergence of state-owned record company Jugoton, based in Zagreb, Croatia. It was the leading record label in Yugoslavia, and the only one active during the first 15 years of its existence. That period was still the time of shellac records that have been scarcely preserved and largely neglected to this day. The remaining records, along with music catalogues, today serve as testimonies of a large recorded corpus whose significant part comprises of folk music of various ethnic and regional groups residing in the Federal Republic at the time. Whether it’s an unarranged or stylized folk expression, the origin would generally be noted on the label itself, and as such dispersed throughout the Yugoslav territory. The aim of this paper is to scrutinize relationship between the production of ethnic music on shellac records and the market. Research of business model behind production could reveal the level of impact which essentially market- driven policy of record industry caused on the state-owned record company of Socialist Federal Republic. Having this in mind, a part of the analysis deals with the involvement of amateur and professional musicians in record production, and along that line, the role that folk music played in the emergence of contemporary folk-inspired music genres that eventually evolved into a thriving business for the local record industry.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti, Etnologija i antropologija, Glazbena umjetnost
POVEZANOST RADA
Projekti:
HRZZ-IP-2019-04-4175 - Diskografska industrija u Hrvatskoj od 1927. do kraja 1950-ih (DISKOGRAF) (Ceribašić, Naila, HRZZ - 2019-04) ( CroRIS)
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Dora Dunatov
(autor)