Pregled bibliografske jedinice broj: 1172962
Women and gender relations in the record industry in Croatia from 1927 to the end of the 1950s
Women and gender relations in the record industry in Croatia from 1927 to the end of the 1950s // 11th Symposium of the ICTM Study Group on Music, Gender and Sexuality: Abstracts / Ajotikar, Rasika ; Brunner, Anja ; Kölbls, Marko ; MacLachlan, Heather ; Piškor, Mojca ; Walker, Kate (ur.).
Zagreb: Muzička akademija u Zagrebu et al., 2021. str. 7-7 (predavanje, međunarodna recenzija, sažetak, znanstveni)
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Naslov
Women and gender relations in the record industry in
Croatia from 1927 to the end of the 1950s
Autori
Ceribašić, Naila
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
11th Symposium of the ICTM Study Group on Music, Gender and Sexuality: Abstracts
/ Ajotikar, Rasika ; Brunner, Anja ; Kölbls, Marko ; MacLachlan, Heather ; Piškor, Mojca ; Walker, Kate - Zagreb : Muzička akademija u Zagrebu et al., 2021, 7-7
Skup
11th Symposium of the ICTM Study Group on Music, Gender and Sexuality
Mjesto i datum
Zagreb, Hrvatska, 24.09.2021. - 28.09.2021
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
women ; gender ; record industry ; 1920s–1950s ; Croatia
Sažetak
This paper represents an initial exploration into the gender relations and the position of women in the record industry in Croatia from 1927 to the end of 1950s. This period encompasses the 78 rpm shellac gramophone records in the production of three Zagreb-based record companies: Edison Bell Penkala (founded in 1926, but operational from 1927 to the second half of the 1930s), Elektroton (1938-1945) and Jugoton (founded in 1947). At the same time, it is a period of great social and political turnmoil. Using several illustrative examples and focusing on gender relations and intersectionality, I shall examine historical continuity and changes in what I elsewhere called record "filters", namely the choice of musical repertoire and interpreters for record releases, production possibilities and aspirations, musicians’ working conditions and ways of market placement. It is supposed that they represent important components for understanding the overall dynamics, hierarchy and tendencies in music and musical life, as well as the wider social and cultural values of the periods in question. In line with the symposium theme on voicing resistance and building resilience, a special attention will be given to the issue of how participants in local music industry of the three periods in question (pre-, during and after the WWII) negotiated, challenged or resisted the dominant gender narratives.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti, Etnologija i antropologija
POVEZANOST RADA
Projekti:
HRZZ-IP-2019-04-4175 - Diskografska industrija u Hrvatskoj od 1927. do kraja 1950-ih (DISKOGRAF) (Ceribašić, Naila, HRZZ - 2019-04) ( CroRIS)
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Naila Ceribašić
(autor)
