Pregled bibliografske jedinice broj: 1171986
The Beginnings of the Creation of the Croatian National Opera Repertoire - The Croatian National Historical Opera Trilogy (Mislav, Ban Leget, Nikola Šubić Zrinjski) by Ivan von Zajc
The Beginnings of the Creation of the Croatian National Opera Repertoire - The Croatian National Historical Opera Trilogy (Mislav, Ban Leget, Nikola Šubić Zrinjski) by Ivan von Zajc // Arti musices : hrvatski muzikološki zbornik, 48 (2017), 2; 329-334 doi:10.21857/yrvgqtk5n9 (međunarodna recenzija, ostalo)
CROSBI ID: 1171986 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
The Beginnings of the Creation of the Croatian
National Opera Repertoire - The Croatian National
Historical Opera Trilogy (Mislav, Ban Leget,
Nikola Šubić Zrinjski) by Ivan von Zajc
(The Beginnings of the Creation of the Croatian
National opera Repertoire - The Croatian National
Historical Opera Trilogy (Mislav, Ban Leget,
Nikola Šubić Zrinjski) by Ivan von Zajc)
Autori
Palić-Jelavić, Rozina
Izvornik
Arti musices : hrvatski muzikološki zbornik (0587-5455) 48
(2017), 2;
329-334
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, ostalo, ostalo
Ključne riječi
Mislav, Ban Leget, Nikola Šubić Zrinjski / Nikola Šubić Zrinski, Ivan von Zajc, Franjo Marković, Ivan Dežman, Hugo Badalić, Croatian national historical opera, the 19th century
(Nikola Šubić Zrinjski / Nikola Šubić Zrinski, Ivan von Zajc, Hugo Badalić, Croatian national historical opera, the 19th century)
Sažetak
Zajc`s Croatian national opera trilogy Mislav (1870), Ban Leget (1872) and Nikola Šubić Zrinjski (1876) was composed in a sequence. The librettos, three diverse texts written by three authors (Franjo Marković: Mislav ; Ivan Dežman: Ban Leget ; Hugo Badalić: Nikola Šubić Zrinjski) were inspired by a folk tale (Good Children from Erben`s collection no. 48 in Mislav), a historic book (De regno Dalmatiae et Croatiae, written by Ivan Lucius in 1666 in Ban Leget) and a dramatic text (written by a german Theodor Koerner after the drama Zriny from 1812 in the opera Nikola Šubić Zrinjski) and present three topics from three different sources. The Croatological and musicological analysis of the score and libretto in the context of national and international issues led to the consideration of what may be considered national in the music, the text and the visual component of the operas, led us to the judgment that it was the composer˙s intention to pursue the creation of a national repertoire.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti, Interdisciplinarne humanističke znanosti, Kroatologija
Napomena
Rad je sažetak / summary doktorske disertacije na
engleskom jeziku
POVEZANOST RADA
Ustanove:
Hrvatska akademija znanosti i umjetnosti
Profili:
Rozina Palić-Jelavić
(autor)
Citiraj ovu publikaciju:
Uključenost u ostale bibliografske baze podataka::
- Arts and Humanities Citation Index
- RILM
- Ebsco
- ERIH
- DOAJ
- ROAD