Pregled bibliografske jedinice broj: 1162000
Emotions and Feelings among Dancers of Classical Ballet on the Stage and in the Classroom
Emotions and Feelings among Dancers of Classical Ballet on the Stage and in the Classroom // Encountering Emotions in Folk Narrative and Folklife / Jambrešić Kirin, Renata ; Rudan, Evelina ; Matić, Silvija (ur.).
Zagreb: Institut za etnologiju i folklOris tiku (IEF), 2021. str. 61-61 (predavanje, međunarodna recenzija, sažetak, znanstveni)
CROSBI ID: 1162000 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Emotions and Feelings among Dancers of Classical
Ballet on the Stage and in the Classroom
Autori
Katarinčić, Ivana
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
Encountering Emotions in Folk Narrative and Folklife
/ Jambrešić Kirin, Renata ; Rudan, Evelina ; Matić, Silvija - Zagreb : Institut za etnologiju i folklOris tiku (IEF), 2021, 61-61
ISBN
978-953-8089-73-2
Skup
18th Congress of the International Society for Folk Narrative Research: Encountering Emotions in Folk Narrative and Folk Life
Mjesto i datum
Zagreb, Hrvatska, 05.09.2021. - 08.09.2021
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
emotions ; ballet ; education
Sažetak
It is widely expected from performance of classical ballet to be a „poetry of movement“, where dancers demonstrate emotions on the stage. In addition, dancers often speak of emotions they need to broadcast on stage, about „feelings“ they are led by while dancing, about ballet as an art that conveys emotions. They talk about emotions that they need to awaken so they can be transferred on stage. On the other hand, the way dancers of classical ballet acquire dance skills during their schooling contrasts almost completely from the idea of awakening emotions. They practice in silence (except for musical accompaniment) listening to teachers instructions and trying to adopt them. Demonstrating emotions is not part of regular practice in ballet classroom. In the presentation, I will analyze two contrasted but inherent practices of the ballet world and the way dancers deal with them.
Izvorni jezik
Engleski
Znanstvena područja
Etnologija i antropologija
POVEZANOST RADA
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Ivana Katarinčić
(autor)