Pregled bibliografske jedinice broj: 1159864
Three Lady Macbeths and a Critique of Imperialism
Three Lady Macbeths and a Critique of Imperialism // Black Neo-Victoriana / Espinoza Garrido, Felipe ; Tronicke, Marlena ; i Wacker, Julian (ur.).
Leiden : Boston (MA): Brill, 2022. str. 144-164 doi:10.1163/9789004469150_008
CROSBI ID: 1159864 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Three Lady Macbeths and a Critique of Imperialism
Autori
Primorac, Antonija
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Black Neo-Victoriana
Urednik/ci
Espinoza Garrido, Felipe ; Tronicke, Marlena ; i Wacker, Julian
Izdavač
Brill
Grad
Leiden : Boston (MA)
Godina
2022
Raspon stranica
144-164
ISBN
978-90-04-46915-0
Ključne riječi
(classic) adaptation – (re)appropriation – colour-blind casting – integrated casting – intersectional feminism – Nikolai Leskov – Lady Macbeth – period drama – William Oldroyd – William Shakespeare
Sažetak
This chapter analyses William Oldroyd’s Lady Macbeth (2016) as a neo-Victorian film adaptation of Nikolai Leskov’s 1865 novella Lady Macbeth of the Mtsensk District that also performs a cultural re-appropriation of Shakespeare’s Lady Macbeth by setting the narrative in Victorian Britain. Drawing on Gayatri Spivak’s postcolonial analysis of Jane Eyre (1847) and expanding on Christine Geraghty’s work on BAME casting policies in recent British film adaptations of classics, the chapter focuses on the film’s portrayal of gender and race relations. It contends that Oldroyd’s film stages a tacit critique of costume drama’s clichéd, but much overlooked, emancipation of the white, middleclass, and implicitly imperialist, woman from strict Victorian mores at the cost of her racially-other counterparts.
Izvorni jezik
Engleski
Znanstvena područja
Interdisciplinarne humanističke znanosti, Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika), Književnost