Naslov
Forster’s A Passage to India: the echo beyond the echo

Autori
Grbić, Igor

Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni

Izvornik
Book of Proceedings Language, Literature and Nature / Budinčić, Valentina ; Ćuk, Maja ; Đordan, Andrijana - Beograd : Alfa BK Univerzitet, 2021, 104-113

ISBN
978-86-6461-047-6

Skup
Međunarodna naučna konferencija: Jezik, književnost i priroda

Mjesto i datum
Beograd, Srbija, 25.09.2020. - 26.09.2020

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
A Passage to India, Marabar Caves, language, style, prefiguration

Sažetak
A Passage to India, E. M. Forster's most famous novel, has been read in stunningly different ways, particularly concerning the Marabar Caves episode, the climax of its plot. Starting from the basic premise, grounded in repeated close readings, that this is not a realistic, but symbolic novel, the author of the present article concentrates on its beginning sections, mostly the very brief first chapter, in order to show how the entire novel not only springs from it, but is even enclosed within it. The article tracks the most representative appearances of the Caves, throughout their metamorphoses, down to the very incident which produces Adela and Mrs Moore's traumas. As opposed to content-ridden readings, that in works such as A Passage to India do not take us too far towards their proper appreciation, the article highlights the splendid, filigree workings of language − content's form − that in themselves function as an echo, a stylistic echo with metaphysical resonances, that is so much more than the merely plot-based echo. Of special interest in this respect is the device of prefiguration − borrowed from theological typology and itself a kind of echo − which is identified in the novel as its subtle driving force.

Izvorni jezik
Engleski

POVEZANOST RADA