Pregled bibliografske jedinice broj: 1154673
Opera Duets by G. F. Handel and Giovanni Bononcini (1720–1724): Emulation and Rivalry
Opera Duets by G. F. Handel and Giovanni Bononcini (1720–1724): Emulation and Rivalry // 18th Biennial International Conference on Baroque Music. Crossing Borders: Music, Musicians and Instruments 1550–1750 / Guido, Massimiliano (ur.).
Cremona: Universita di Pavia, 2018. str. 157-157 (predavanje, međunarodna recenzija, sažetak, znanstveni)
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Naslov
Opera Duets by G. F. Handel and
Giovanni Bononcini (1720–1724):
Emulation and Rivalry
Autori
Ćurković, Ivan
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Izvornik
18th Biennial International Conference on Baroque Music. Crossing Borders: Music, Musicians and Instruments 1550–1750
/ Guido, Massimiliano - Cremona : Universita di Pavia, 2018, 157-157
Skup
18th Biennial International Conference on Baroque Music. Crossing Borders: Music, Musicians and Instruments 1550–1750
Mjesto i datum
Cremona, Italija, 10.07.2018. - 15.07.2018
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
nisu navedene
(not listed)
Sažetak
The vocal duets of G. F. Handel are distinguished by a greater musical and dramaturgical diversity when compared to the duets of his contemporaries, but this diversity has not yet been systematically examined in different contexts. They can be investigated in two genre traditions, that of the chamber duet and that of the so-called “dramatic duet”, a component of genres such as opera, cantata and serenata. By concentrating on secular vocal music in London in the first half of the eighteenth century it is possible to explore to which extent Handel’s treatment of duets differs from the contributions of his Italian contemporaries, who were either active in London at the time (e. g. Giovanni Bononcini) or whose works were performed parallel to his (Francesco Gasparini et al.). After a brief outline of some tendencies in the composing of chamber duets by Handel and Gasparini (as compared to their distinguished predecessor in the genre Agostino Steffani) and a description of the gradual establishment of Italian opera in London from 1706 onwards, this paper will focus on the first five seasons of the Royal Academy of Music (1720–1724). A parallel examination of duets by Handel and Bononcini written in this period will show complex relations of emulation and rivalry, a process in which librettists of the time also played a vital role, Paolo Antonio Rolli in particular.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
