Pregled bibliografske jedinice broj: 1147783
Et Verbum caro factum est – Iconographic and Iconological Interpretation of the Mosaics of Euphrasian Basilica in Poreč in the Context of a Final Confrontation with Arian Heresy
Et Verbum caro factum est – Iconographic and Iconological Interpretation of the Mosaics of Euphrasian Basilica in Poreč in the Context of a Final Confrontation with Arian Heresy // MENS ACRIS IN CORPORE COMMODO - zbornik povodom sedamdesetog rođendana Ivana Matejčića / Festschrift in Honour of the 70th Birthday of Ivan Matejčić / Bradanović, Marijan ; Jurković, Miljenko (ur.).
Zagreb : Motovun: Međunarodni istraživački centar za kasnu antiku i srednji vijek (MICKAS), 2021. str. 75-96 doi:10.1484/M.DEM-EB.5.128002
CROSBI ID: 1147783 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Et Verbum caro factum est – Iconographic and
Iconological Interpretation of the Mosaics of
Euphrasian Basilica in Poreč in the Context of a
Final Confrontation with Arian Heresy
(Et Verbum caro factum est – ikonografsko-
ikonološko tumačenje mozaikâ Eufrazijeve bazilike
u Poreču u kontekstu konačnog obračuna s
arijanskim krivovjerjem)
Autori
Josipović, Ivan
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
MENS ACRIS IN CORPORE COMMODO - zbornik povodom sedamdesetog rođendana Ivana Matejčića / Festschrift in Honour of the 70th Birthday of Ivan Matejčić
Urednik/ci
Bradanović, Marijan ; Jurković, Miljenko
Izdavač
Međunarodni istraživački centar za kasnu antiku i srednji vijek (MICKAS)
Grad
Zagreb : Motovun
Godina
2021
Raspon stranica
75-96
ISBN
978-953-8250-16-3
Ključne riječi
Poreč, cathedral, Euphrasius, mosaics, iconographic program, Justinian, orthodoxy, Arianism, 6th century
(Poreč, katedrala, Eufrazije, mozaici, ikonografski program, Justinijan, pravovjerje, arijanizam, 6. stoljeće)
Sažetak
The article endeavours to offer a complete iconographic and iconological interpretation of the mosaics in the main apse and the triumphal arch of the Euphrasian Basilica in Poreč. Relying on previous analyses of their iconographic program, the author partially complements them, but also introduces significant corrections, in an effort to prove that this is a well-designed propagandistic project, dogmatic and political in its nature, reflecting the final confrontation of the state with Arianism, and its creation can more accurately be dated to the 550ies. The Poreč wall mosaics can thus be characterized as an excellently preserved example of a full symbolic presentation of the religious triumph of Justinian's reconquest, i.e. the victorious wars waged by the Byzantine Empire against the three Arian Germanic kingdoms in the western Mediterranean. Finally, the sheer proportions of the construction and lavish decoration of the southern basilica of the Poreč episcopal complex are a clear indicator of the conjunction between the central government, embodied in the person of Emperor Justinian, and the local Christian community whose main protagonist was Bishop Euphrasius.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
POVEZANOST RADA
Projekti:
--PZS-2019-02-1624 - Globalni humanizmi: novi pogledi na srednji vijek (300-1600) (GLOHUM) (Jurković, Miljenko) ( CroRIS)
--IP.01.2021.05 - Likovni i arhitektonski fenomeni istočne obale Jadrana od antike do ranoga novog vijeka (ArtAdria) (Josipović, Ivan) ( CroRIS)
Ustanove:
Sveučilište u Zadru
Profili:
Ivan Josipović
(autor)
