Naslov
Fedor M. Dostoevskij, Varlam Šalamov, Sergej Lebedev ("Zapisi iz Mrtvoga doma", "Priče s Kolyme", "Granica zaborava")
(Fyodor M. Dostoevsky, Varlam Shalamov, Sergei Lebedev ("The House of the Dead", "Kolyma Tales" and "Oblivion"))

Autori
Lugarić Vukas, Danijela

Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni

Knjiga
Dvjesto godina Dostoevskog

Urednik/ci
Vojvodić, Jasmina

Izdavač
Disput

Grad
Zagreb

Godina
2021

Raspon stranica
203-237

ISBN
978-953-260-410-8

Ključne riječi
Dostoevskij, Šalamov, Lebedev, proza o logprima, dokumentarizam, literagnost
(Dostoevsky, Shalamov, Lebedev, prison camp prose, documentarism, literariness)

Sažetak
The paper focuses on three works: Dostoevsky’s The House of the Dead (1860-1862), Shalamov’s Kolyma Tales (1988) and Lebedev’s novel Oblivion (2011), which, owing to their common topic (prison camp) and autobiographical perspective, are usually identified as the so-called prison camp prose (Russ. lagernaja proza, or sometimes tjuremnaja proza). Since all three works are most frequently discussed as documentary, the paper focuses on the literary devices used to achieve this effect. Namely, all three works achieve the documentary effect exactly owing to literariness and/or perceptive and epistemological scepticism. Furthermore, since these works are the product of autobiographical experience, they are analised through the lens of individual memory, which, due to its function, makes these texts aesthetically and ethically innovative.

Izvorni jezik
Hrvatski

Znanstvena područja
Filologija

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