Pregled bibliografske jedinice broj: 1138191
"Thoughts on Music by Dubrovnik Thinkers in the Renaissance", 14. studenoga 2019., University College Dublin School of Music, Irska
"Thoughts on Music by Dubrovnik Thinkers in the Renaissance", 14. studenoga 2019., University College Dublin School of Music, Irska // UCD Seminar in Musicology 2019/20
Dublin, Irska, 2019. (pozvano predavanje, nije recenziran, neobjavljeni rad, znanstveni)
CROSBI ID: 1138191 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
"Thoughts on Music by Dubrovnik Thinkers in the
Renaissance", 14. studenoga 2019., University
College Dublin School of Music, Irska
("Thoughts on Music by Dubrovnik Thinkers in the
Renaissance", 14 November 2019, University
College Dublin School of Music, Ireland)
Autori
Jurić Janjik, Monika
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni
Skup
UCD Seminar in Musicology 2019/20
Mjesto i datum
Dublin, Irska, 14.11.2019
Vrsta sudjelovanja
Pozvano predavanje
Vrsta recenzije
Nije recenziran
Ključne riječi
glazba ; renesansa ; Dubrovnik
(music ; Renaissance ; Dubrovnik)
Sažetak
Pozvano predavanje održano na University College Dublin School of Music (Irska)
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
Napomena
Renaissance Dubrovnik as centre of culture and
art occupied an important place in history of
Croatian music. In that context the key role
was played by the Academy Dei Concordi, the
learned society in which some of the
outstanding Dubrovnik intellectuals gathered to
discuss artistic, philosophical and literary
issues. Although no direct proof on musical
activities within the Academy has been found
yet, it can be assumed with great certainty
that music formed part of discussions at its
gatherings. This claim can be supported by the
thoughts on music to be found in the works of
two Dubrovnik Renaissance thinkers: one is
Michele Monaldi (1540-1592), the Dubrovnik poet
and philosopher whose work Irene, overo della
bellezza (1599) has been considered as the
first aesthetic treatise in Croatia, while the
other is Niccolò Vito di Gozze (1549-1610), the
Dubrovnik politician, philosopher, theologian,
jurist, and pedagogue who treated music topics
in three among his works (Dialogo della
bellezza, 1581; Governo della famiglia, 1589;
Dello stato delle republiche, 1591). Given the
fact that both Monaldi and Gozze spent their
entire lives in Dubrovnik, their works offer an
example of the width of influence of
Renaissance Platonism and Aristotelism in that
area, as well as an indication of the
importance of culture and art in general, and
especially the importance music and thoughts on
music issues had in intellectual circles of
Renaissance Dubrovnik.