Pregled bibliografske jedinice broj: 1134016
Duplicity and posthegemony in Claudia Llosa’s Madeinusa and Lucrecia Martel’s La niña santa
Duplicity and posthegemony in Claudia Llosa’s Madeinusa and Lucrecia Martel’s La niña santa // Journal of Romance Studies, 21 (2021), 2; 209-237 doi:https://.org/10.3828/jrs.2021.12 (međunarodna recenzija, članak, znanstveni)
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Naslov
Duplicity and posthegemony in Claudia Llosa’s Madeinusa and Lucrecia Martel’s La niña santa
Autori
Županović, Mario ; Lovrinović, Vedrana
Izvornik
Journal of Romance Studies (1473-3536) 21
(2021), 2;
209-237
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
duplicity, posthegemony, adolescent, feminist, doubleness, liberation, Lucrecia Martel
Sažetak
This article employs the concepts of duplicity and posthegemony to analyse intimate and social interactions in Lucrecia Martel’s La niña santa [The Holy Girl] (2004) and Claudia Llosa’s Madeinusa (2005), focusing in particular on the personal and social development of each film’s female protagonist. By viewing the films through the psychoanalytic concepts of duplicity as defined by Harold Kelman and posthegemony as defined by Jon Beasley-Murray, we distinguish how each female protagonist strives toward posthegemonic status while adopting opposite approaches to duplicity. This is to say that Amalia entirely eschews duplicity while Madeinusa plays upon the liminalities of moral doubleness. In elaborating this argument, we will also demonstrate that both films represent a feminist critique of hegemony in which the emergent and emancipative subject liberates herself from the patriarchal apparatuses of the family, religion and community.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
POVEZANOST RADA
Ustanove:
Sveučilište u Zadru
Citiraj ovu publikaciju:
Časopis indeksira:
- Web of Science Core Collection (WoSCC)
- Emerging Sources Citation Index (ESCI)
- Scopus
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