Pregled bibliografske jedinice broj: 1131400
Fading Humanity and Myth-making: Scheming the Clandestine in Gomorrah by Matteo Garrone
Fading Humanity and Myth-making: Scheming the Clandestine in Gomorrah by Matteo Garrone // Između Srednje Europe i Mediterana: glazba, književnost i izvedbene umjetnosti / Between Central Europe and the Mediterranean: Music, Literature and the Performing Arts / Tomić Ferić Ivana ; Marić, Antonela (ur.).
Split: Umjetnička akademija Sveučilišta u Splitu ; Filozofski fakultet Sveučilišta u Splitu, 2021. str. 537-546
CROSBI ID: 1131400 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Fading Humanity and Myth-making: Scheming the
Clandestine in Gomorrah by Matteo Garrone
Autori
Marić, Antonela
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, ostalo
Knjiga
Između Srednje Europe i Mediterana: glazba, književnost i izvedbene umjetnosti / Between Central Europe and the Mediterranean: Music, Literature and the Performing Arts
Urednik/ci
Tomić Ferić Ivana ; Marić, Antonela
Izdavač
Umjetnička akademija Sveučilišta u Splitu ; Filozofski fakultet Sveučilišta u Splitu
Grad
Split
Godina
2021
Raspon stranica
537-546
ISBN
978-953-6617-54-8
Ključne riječi
Myth, myth-making, Garrone, clandestine, camorristi, cinematic myththinking,
(mit, stvaranje mita, Garrone, klandestinski, kamoristi, kinematsko promišljanje mita)
Sažetak
The paper focuses on the reinterpretation of myth and images of the clandestine in the bloodthirsty crime milieu of Naples, a meta-world governed by challenging, yet doubtful social postulates and violent protagonists who are attempting to assert control over human trafficking, rackets, and drug-dealing in the area, as seen through the film camera of Matteo Garrone. The fascination of young locals for the clandestine world, and the glorification of the complex life of the wretched, secret society and its bosses, keeps contributing to myth-making and leads to scenes of a dystopic society almost populated by the living dead who are aware that by their commitment to crime, they will soon lose either their lives or their freedom. At the same time, moments of myth-breaking are present, through the introduction of some new leitmotivs, such as images of Chinese garment workers or the African immigrant community. Garrone creates a process («cinematic myththinking», Irvin Singer), able to combine the reception of a film with the «philosophical scope» ; or rather the combination of aesthetic and technological elements like camera, sound, visual effects, and myth in order to fuse them into scenarios that include mythic elements.
Izvorni jezik
Engleski
Znanstvena područja
Filologija, Interdisciplinarne humanističke znanosti
POVEZANOST RADA
Projekti:
HRZZ-IP-2016-06-2061 - Glazbeni izvori Dalmacije u kontekstu srednjoeuropske i mediteranske glazbene kulture od 18. do 20. stoljeća (GIDAL) (Tomić-Ferić, Ivana, HRZZ - 2016-06) ( CroRIS)
Ustanove:
Filozofski fakultet u Splitu
Profili:
Antonela Marić
(autor)