Pregled bibliografske jedinice broj: 1129779
Andrija Buvina – Painter and Woodcarver, a Master Rooted in the Historical and Artistic Reality of the Split and Dalmatia of the 1200s
Andrija Buvina – Painter and Woodcarver, a Master Rooted in the Historical and Artistic Reality of the Split and Dalmatia of the 1200s // Vratnice Andrije Buvine u splitskoj katedrali : 1214. - 2014. = The doors of Andrija Buvina in Split Cathedral : 1214 - 2014 : zbornik radova s međunarodnog znanstvenog skupa održanog u Splitu od 23. do 24. rujna 2014. = proceedings of the international scholarly conference held in Split from 23rd to the 24th of September 2014 / Belamarić, Joško ; Tigler, Guido (ur.).
Split : Zagreb: Književni krug Split ; Institut za povijest umjetnosti, 2020. str. 25-70
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Naslov
Andrija Buvina – Painter and Woodcarver, a
Master Rooted in the Historical
and Artistic Reality of the Split and Dalmatia
of the 1200s
(Andrija Buvina – Painter and Woodcarver, a
Master Rooted in the Historical and
Artistic Reality of the Split and Dalmatia of
the 1200s)
Autori
Belamarić, Josip
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Vratnice Andrije Buvine u splitskoj katedrali : 1214. - 2014. = The doors of Andrija Buvina in Split Cathedral : 1214 - 2014 : zbornik radova s međunarodnog znanstvenog skupa održanog u Splitu od 23. do 24. rujna 2014. = proceedings of the international scholarly conference held in Split from 23rd to the 24th of September 2014
Urednik/ci
Belamarić, Joško ; Tigler, Guido
Izdavač
Književni krug Split ; Institut za povijest umjetnosti
Grad
Split : Zagreb
Godina
2020
Raspon stranica
25-70
ISBN
9789537875756
Ključne riječi
Andrija Buvina ; Split
Sažetak
This text contributes new arguments to the understanding that Andreas Buvina was a powerful, original, and versatile master whose work represents the kind of art that the local Dalmatian scene could offer at the beginning of the 13th century, before the Romanesque sculpture of Split and Trogir was, a few decades later, renewed by fresh new impulses from Italy. Today, it is possible to offer even better explanations of the local influence in the shaping of Buvina's style, particularly after the recent discovery of the work of Buvina's contemporaries, the brothers Matheus and Aristodius, the sons of the Apulian Zorobabel, who was naturalised in Zadar. In particular, this text considers questions relating to the original position and function of the doors of the Split cathedral, the issue of polychromy (about which we can today speak with greater confidence) in relation to the relief sculpture that forms its base, and the question of the source of Buvina's ornamental repertoire.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
