Naslov
Tito Dorčić as a Forerunner of Ironic Mode

Autori
Slavić, Dean

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, kratko priopćenje, znanstveni

Izvornik
Senjski zbornik 47 / Glavičić, Miroslav - Senj : Gradski muzej Senj ; Senjsko muzejsko društvo, 2020, 165-190

Skup
2. Senjski interdisciplinarni simpozij: Dragi Novače!

Mjesto i datum
Senj, Hrvatska, 26.04.2019. - 27.04.2019

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Domaća recenzija

Ključne riječi
Tito Dorčić, ironic mode, the scapegoat mechanism

Sažetak
According to Northrop Frye, 20th Century literature is marked by characters whose intelligence and power of action are lesser than those of an average human. Typical such figures are the protagonists of Kafka’s and Beckett’s works, who lack even the most basic information regarding their own position – because of which a reader has the sense of looking down on scenes of bondage, frustration or absurdity. Vjenceslav Novak’s Tito Dorčić, from the eponymous novel, is a forerunner of this type of character. He is trapped by his own predisposition and social environment, and becomes unhappy in the “better life” imposed on him by his father. He is utterly unsuccessful in his career as well as in his family life. 20th century interpreters found the cause of Tito’s state, or the source for such a character, in Darwinist theories supposedly praised by the novel’s author ; a more recent critic emphasises psychoanalytic motifs. Both theories unconsciously bear witness to the reduced power of action of the protagonist. The novel’s final scene, in which Tito Dorčić’s left leg is stuck in a crevice and the upper part of his body immersed in the sea, is a metaphor of his entire life. The scapegoat mechanism, as proposed by René Girard, also explains the events in Tito Dorčić’s life: the social crisis is seemingly only slightly present, yet Tito is depicted as a person holding a position in the judicial administration which, because of his low intelligence, immorality and lack of cultural refinement, he does not deserve. He commits mistakes in his prosecutor’s work, and is punished because an innocent person has been hanged. Tito had previously been marked by the collapse of his marriage. Eventually, he loses his job, falls into madness, which might also be an act of self-punishment, and at the end he dies. The text, or the narrator, kills him, in the last step in the long procedure of attacking the protagonist.

Izvorni jezik
Engleski

Znanstvena područja
Filologija

POVEZANOST RADA