Pregled bibliografske jedinice broj: 1118204
Theatrum sacrum: Iluzionirani oltari 18. stoljeća u Hrvatskoj
Theatrum sacrum: Iluzionirani oltari 18. stoljeća u Hrvatskoj // Between Rococo and Classicism Ceiling Painting in the Second Half of the 18th Century (International conference and the meeting of the BCPCE group organized by the Institute of Art History, Croatia)
Zagreb, Hrvatska, 2014. str. 7-7 (predavanje, nije recenziran, sažetak, znanstveni)
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Naslov
Theatrum sacrum: Iluzionirani oltari 18. stoljeća u
Hrvatskoj
(Theatrum sacrum: illusionistic painted altars in the
18th century in Croatia)
Autori
Nestić, Jasmina
Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, sažetak, znanstveni
Skup
Between Rococo and Classicism Ceiling Painting in the Second Half of the 18th Century (International conference and the meeting of the BCPCE group organized by the Institute of Art History, Croatia)
Mjesto i datum
Zagreb, Hrvatska, 13.10.2014
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Nije recenziran
Ključne riječi
illusionistic painted altars ; 18th century ; Andrea Pozzo ; Ivan Krstitelj Ranger ; Anton Jožef Lerchinger
Sažetak
Illusionistic painted altars made their entrance in Croatian cultural heritage from the fourth decade of the 18th century with the first known altar in Saint John the Baptist Chapel in Gorica near Lepoglava (1731, I. B. Ranger), and a growing number of examples can be dated from the sixth decade up until the end of the 18th century. Among these altars one can find examples which reflect carefully thought-out compositions in relation to the architecture in which they are situated, and they constitute a unity with the ceiling or overall wall paintings.These altars are often depicted in monumental scale making wall paintings in interiors the most active factor in accomplishing post-Trident Theatrum sacrum. Furthermore, their structures are identified as a reflection of ceremonial sacred stage designs (for Forty Hours' Devotions to the Blessed Sacrament or for the Holy Sepulchre) and well-known solutions from Andrea Pozzo's Perspectiva pictorum et architectorum treatise. This presentation also puts emphasis on specific solutions that incorporate painted altars in overall wall paintings, among which one can notice various approaches to the illusionistic transformation of built architecture in the oeuvres of the most prominent painters of 18th century wall paintings in Croatia, Ioannes Baptista Ranger and Anton Joseph Lerchinger.
Izvorni jezik
Engleski
Znanstvena područja
Povijest umjetnosti
