Pregled bibliografske jedinice broj: 1115668
Actors, others, simulacra: a Deleuzean minority report on the early modern Dubrovnik stage
Actors, others, simulacra: a Deleuzean minority report on the early modern Dubrovnik stage // Journal of Cultural Research, 23 (2019), 1; 46-63 doi:10.1080/14797585.2019.1590923 (međunarodna recenzija, članak, znanstveni)
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Naslov
Actors, others, simulacra: a Deleuzean minority report on the early modern Dubrovnik stage
Autori
Čale Feldman, Lada
Izvornik
Journal of Cultural Research (1479-7585) 23
(2019), 1;
46-63
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
acting ; Marin Držić ; early modern Dubrovnik ; Deleuze
Sažetak
A playwright in the minor and marginal culture of renaissance Ragusa, Marin Držić has often been compared to Shakespeare, despite the obvious impossibility of influence in either direction. There is however an aspect of Držić’s legacy which has received a scarce critical interest in Croatia, although it could also be discussed along the lines of Shakespeare studies: early modern Dubrovnik acting practice, culture, and style. Držić’s actual and meta-theatrical treatment of acting is here interpreted through the lenses of Gilles Deleuze’s essay ‘One less manifesto’.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
Citiraj ovu publikaciju:
Časopis indeksira:
- Web of Science Core Collection (WoSCC)
- Emerging Sources Citation Index (ESCI)
- Scopus
