Pregled bibliografske jedinice broj: 1114680
Native Apocalypse in Claire G. Coleman’s The Old Lie
Native Apocalypse in Claire G. Coleman’s The Old Lie // Humanities, 9 (2020), 3; 1-13 doi:10.3390/h9030069 (međunarodna recenzija, članak, znanstveni)
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Naslov
Native Apocalypse in Claire G. Coleman’s The Old
Lie
Autori
Polak, Iva
Izvornik
Humanities (2076-0787) 9
(2020), 3;
1-13
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni
Ključne riječi
Claire G. Coleman ; The Old Lie ; Indigenous futurism ; dystopia ; Native Apocalypse ; space oper
Sažetak
Claire G. Coleman’s science fiction novel The Old Lie(2019) evokes the blemished chapters of Australia’s history as the basis of a dystopian futuristic Earth. By using the metaphor of a secular apocalypse (Weaver) wrapped in the form of a space opera, she interrogates historical colonialism on a much larger scale to bring to the fore the distinctive Indigenous experience of Australia’s terra nullius and its horrific offshoots: the Stolen Generations, nuclear tests on Aboriginal land and the treatment of Indigenous war veteran, but this time experienced by the people of the futuristic Earth.Following a brief introduction of the concept of the “Native Apocalypse” (Dillon) in the framework of Indigenous futurism, the paper discusses Coleman’s innovative use of space opera embedded in Wilfred Owen’s famous WWI poem “Dulce et Decorum Est”. The analysis focuses on four allegedly separate stories in the novel which eventually interweave into a single narrative about “the old lie”. In keeping with the twenty-first-century Indigenous futurism, Coleman’s novel does not provide easy answers. Instead, the end brings the reader to the beginning of the novel in the same state of disillusionment as Owen’s lyrical subject.
Izvorni jezik
Engleski
Znanstvena područja
Književnost
Citiraj ovu publikaciju:
Časopis indeksira:
- Web of Science Core Collection (WoSCC)
- Emerging Sources Citation Index (ESCI)
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