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Vu Plavem Trnaci: About the Local Character of Early Croatian Record Industry on the Example of Kajkavian popevka


Halužan, Tanja
Vu Plavem Trnaci: About the Local Character of Early Croatian Record Industry on the Example of Kajkavian popevka // 12. Međunarodni simpozij 'Muzika u društvu'
Sarajevo, Bosna i Hercegovina, 2020. (predavanje, podatak o recenziji nije dostupan, neobjavljeni rad, znanstveni)


CROSBI ID: 1109153 Za ispravke kontaktirajte CROSBI podršku putem web obrasca

Naslov
Vu Plavem Trnaci: About the Local Character of Early Croatian Record Industry on the Example of Kajkavian popevka

Autori
Halužan, Tanja

Vrsta, podvrsta i kategorija rada
Sažeci sa skupova, neobjavljeni rad, znanstveni

Skup
12. Međunarodni simpozij 'Muzika u društvu'

Mjesto i datum
Sarajevo, Bosna i Hercegovina, 10.12.2020. - 12.12.2020

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Podatak o recenziji nije dostupan

Ključne riječi
Vu plavem trnaci ; local character ; record industry ; Kajkavian popevka

Sažetak
Since the early days of the domestic record industry, which we can trace back into 1927, local authors and performers were recorded. A significant part of this production consisted of songs in the Kajkavian dialect, some of which are still often performed today and figure as representative regional examples. Among them is undoubtedly popevka "Vu plavem trnaci" by Đuro Prejac, which was in the observed period marked by the use of shellac gramophone records recorded several times for various record companies. Through available recordings of that Kajkavian song, this paper aims to delineate early discographic profiling of both the song in question and potentially Kajkavian music as a whole, especially considering the choice of musicians and stylistic and interpretive differences. Emphasis is thus placed on questioning the local character of record industry, taking into account its manifestation in the form of popevka as a locally specific genre, but also the fact that the Kajkavian dialect was since the mid-19th century an arena of debates on construction of local (regional) versus national identity. This research is part of a project focused on the period from 1927 to the end of the 50s in the production of three record companies in Zagreb.

Izvorni jezik
Engleski

Znanstvena područja
Etnologija i antropologija, Glazbena umjetnost



POVEZANOST RADA


Projekti:
HRZZ-IP-2019-04-4175 - Diskografska industrija u Hrvatskoj od 1927. do kraja 1950-ih (DISKOGRAF) (Ceribašić, Naila, HRZZ - 2019-04) ( CroRIS)

Ustanove:
Institut za etnologiju i folkloristiku, Zagreb

Profili:

Avatar Url Tanja Haluzan (autor)


Citiraj ovu publikaciju:

Halužan, Tanja
Vu Plavem Trnaci: About the Local Character of Early Croatian Record Industry on the Example of Kajkavian popevka // 12. Međunarodni simpozij 'Muzika u društvu'
Sarajevo, Bosna i Hercegovina, 2020. (predavanje, podatak o recenziji nije dostupan, neobjavljeni rad, znanstveni)
Halužan, T. (2020) Vu Plavem Trnaci: About the Local Character of Early Croatian Record Industry on the Example of Kajkavian popevka. U: 12. Međunarodni simpozij 'Muzika u društvu'.
@article{article, author = {Halu\v{z}an, Tanja}, year = {2020}, keywords = {Vu plavem trnaci, local character, record industry, Kajkavian popevka}, title = {Vu Plavem Trnaci: About the Local Character of Early Croatian Record Industry on the Example of Kajkavian popevka}, keyword = {Vu plavem trnaci, local character, record industry, Kajkavian popevka}, publisherplace = {Sarajevo, Bosna i Hercegovina} }
@article{article, author = {Halu\v{z}an, Tanja}, year = {2020}, keywords = {Vu plavem trnaci, local character, record industry, Kajkavian popevka}, title = {Vu Plavem Trnaci: About the Local Character of Early Croatian Record Industry on the Example of Kajkavian popevka}, keyword = {Vu plavem trnaci, local character, record industry, Kajkavian popevka}, publisherplace = {Sarajevo, Bosna i Hercegovina} }




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