Pregled bibliografske jedinice broj: 1107356
Dalla penna allo scalpello: analisi di archetipi per la morfologia delle lettere sull’epigrafe dei cibori di Cattaro
Dalla penna allo scalpello: analisi di archetipi per la morfologia delle lettere sull’epigrafe dei cibori di Cattaro // ASPICE HUNC OPUS MIRUM. Zbornik povodom sedamdesetog rođendana Nikole Jakšića / Festschrift on the occasion of Nikola Jakšić's 70th birthday / Josipović, Ivan ; Jurković, Miljenko (ur.).
Zadar : Zagreb : Motovun: Međunarodni istraživački centar za kasnu antiku i srednji vijek (MICKAS) ; Sveučilište u Zadru, 2020. str. 231-246
CROSBI ID: 1107356 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Dalla penna allo scalpello: analisi di archetipi per la morfologia delle
lettere sull’epigrafe dei cibori di Cattaro
(From pen to chisel: analysis of models for letter morphology on the
inscription of Kotor ciborium)
Autori
Zornija, Meri
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
ASPICE HUNC OPUS MIRUM. Zbornik povodom sedamdesetog rođendana Nikole Jakšića / Festschrift on the occasion of Nikola Jakšić's 70th birthday
Urednik/ci
Josipović, Ivan ; Jurković, Miljenko
Izdavač
Međunarodni istraživački centar za kasnu antiku i srednji vijek (MICKAS) ; Sveučilište u Zadru
Grad
Zadar : Zagreb : Motovun
Godina
2020
Raspon stranica
231-246
ISBN
978-953-331-304-7
Ključne riječi
Cattaro, Cattedrale di San Trifone, codici benventani, iscrizioni romaniche, XII secolo
(Kotor, cathedral of St. Tryphon, Beneventan codices, Romanesque inscriptions, 12th century)
Sažetak
The paper deals with the reconstructed inscription found on the well-known “lion’s” arcade and the fragments of pre-Romanesque ciboria found inside or near the cathedral of St. Tryphon in Kotor, Montenegro. The inscription, because of its unusual morphology, has so far provoked diverse interpretations regarding the dating of the reliefs. New arguments confirm the assumption that the inscription is inspired by the calligraphy of the Beneventan script. In this sense, first it is compared with epigraphic monuments of the early and mature Romanesque in Dalmatia and Apulia. Analogies are then made in the Beneventan codices, on the basis of which it is concluded that related graphic manner, distinguished by the decoration of letters with dots and circles, was used both in Apulia and Montecassino, but also in the Dalmatian scriptoria. The closest parallels are of local origin and related to the Benedictine sites and the literary production of the supposed scriptorium in Kotor, where the Beneventan codices served as inspiration for inscriptions made in stone.
Izvorni jezik
Ita
Znanstvena područja
Povijest umjetnosti