Naslov
Žanrovi u filmskom postmodernizmu
(Genres in Film Postmodernism)

Autori
Valentić, Tonči

Izvornik
Hrvatski filmski ljetopis (1330-7665) 6 (2000), 22; 45-57

Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni

Ključne riječi
film, postmoderna, žanr
(Film, Postmodernism, Genre)

Sažetak
In the theory of film, genre began playing a more significant role at the end of 1960s, mostly under the influence of modernist tendencies, but also due to some social trends and changes outside the film context. Modernism opened the era of interpenetration of genres and the emergence of new genres that were a direct consequence of that interpenetration.This paper observes some key features of genres (types of approach, connections of genres and types of narration, the occurrence and role of citation in genres, cognitive cartography, that is to say, geopolitical-ideological concept of genres, and finally, genre as a factory of meaning). This text attempts to test these guidelines in the analysis of postmodernist movies of different genres, different film currents and cinematographies: Star Wars by George Lucas ; Lisabon Story by Wim Wenders ; Dead Man by Jim Jarmush ; Twin Peaks by David Lynch ; Vampires by John Carpenter and Scream by Wes Craven.

Izvorni jezik
Hrvatski

Znanstvena područja
Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika)

POVEZANOST RADA