Pregled bibliografske jedinice broj: 1104702
Some Aspects of the Poetic Technique of Vedic Kavis: Do the compositional structures and lexical or phonetic features of Vedic Hymns reveal complementary information on their content?
Some Aspects of the Poetic Technique of Vedic Kavis: Do the compositional structures and lexical or phonetic features of Vedic Hymns reveal complementary information on their content? // Living Traditions of Vedas / Bhattathiripad, P. Vinod ; Bahulkar, Shrikant (ur.).
Delhi: New Bharatiya Book Corporation, 2019. str. 474-495
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Naslov
Some Aspects of the Poetic Technique of Vedic
Kavis: Do the compositional structures and
lexical or phonetic features of Vedic Hymns
reveal complementary information on their
content?
Autori
Ježić, Mislav
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Living Traditions of Vedas
Urednik/ci
Bhattathiripad, P. Vinod ; Bahulkar, Shrikant
Izdavač
New Bharatiya Book Corporation
Grad
Delhi
Godina
2019
Raspon stranica
474-495
ISBN
978-81-8315-335-3
Ključne riječi
Rgvedic hymns ; poetic technique ; metre ; comparison ; metaphor ; hyperbole ; paradox ; compositional devices ; anagrams ; riddles ; covert codes ; compositional unity ; interpretation of poems
Sažetak
Although the Rgvedic hymns represent the oldest collection of poetry preserved in India, and one of the oldest literary monuments in the Indo- European languages, the poetical technique of their poets is neither simple nor primitive. It implies different metres appropriately used in poems, and stylistic figures such as comparison, metaphor, hyperbole and paradox, as well as compositional devices such as chiasmus, parallelism, etc. These stylistic figures often imitate the components of the structure of the subject referred to in the poem. Very often the basic coherent unit of a hymn is a stanza, and the link between different stanzas can be loose. However, different stanzas are sometimes connected by an underlying structure that provides a kind of unity to the whole hymn or to its constituent parts. In this paper, compositional devices, anagrams (actually cryptophonic expressions in oral literature), inversion of relations between the gods, or the covert provision and solution of a riddle, largely unnoticed by scholars until now, are illustrated and analysed as compositional stratagems on the example of some hymns. Of course, all of these means are not used uniformly by all of the kavis in all of the books, and in the future these poetic procedures might help us distinguish different periods and different poets in the Rgvedic corpus in even greater detail. These procedures do not only demonstrate the formal ingenuity of the poets, but also contribute to the construction of the deeper meaning of the poem.
Izvorni jezik
Engleski
Znanstvena područja
Filozofija, Filologija, Religijske znanosti (interdisciplinarno polje)