Pregled bibliografske jedinice broj: 1104553
THE DARK CORE OF MIMESIS ART, BODY, AND IMAGE IN THE THOUGHT OF JEAN-LUC NANCY
THE DARK CORE OF MIMESIS ART, BODY, AND IMAGE IN THE THOUGHT OF JEAN-LUC NANCY // Phainomena, 28 (2019), 108; 187-221 doi:10.32022/PHI28.2019.108-109.8 (međunarodna recenzija, članak, ostalo)
CROSBI ID: 1104553 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
THE DARK CORE OF MIMESIS ART, BODY, AND IMAGE IN THE THOUGHT OF JEAN-LUC NANCY
Autori
Valentić, Tonči ; Paić, Žarko
Izvornik
Phainomena (1318-3362) 28
(2019), 108;
187-221
Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, ostalo
Ključne riječi
Nancy, mimesis, art, body, image, event, ontology
Sažetak
The thesis we argue in the text through three separate planes of discussion is that mimesis (mu iota mu eta sigma iota sigma) cannot for Nancy be reduced to mere imitation of an already always existing reality. Instead, what is at issue is a creative principle of the openness of the world as meaning starting from the possibility of imitating something that can only be presented-represented in the equation between the logos, the figure, and the image. Mimesis thus presents-represents an existential event of novelty in the world. In order to think this "crack" between philosophy and art (logos and mimesis) it is necessary to make a decisive break with the "oblivion of the body" symptomatic of the entire history of Western philosophy.
Izvorni jezik
Engleski
Znanstvena područja
Filozofija
Citiraj ovu publikaciju:
Časopis indeksira:
- Web of Science Core Collection (WoSCC)
- Emerging Sources Citation Index (ESCI)
- Scopus
