Pregled bibliografske jedinice broj: 1102460
De l'engagement à la poétique et au-delà (Guérin, Genet, Duvert, Camus et Louis)
De l'engagement à la poétique et au-delà (Guérin, Genet, Duvert, Camus et Louis) // Contacts linguistiques, littéraires, culturels: Cent ans d’études du français à l’Université de Ljubljana / Vaupot, S., Mezeg, A., Perko, G., Schamberger Brezar, M., Župančić, M. (ur.).
Ljubljana: Znanstvena založba Filozofske fakultete Univerze v Ljubljani, 2020. str. 440-451
CROSBI ID: 1102460 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
De l'engagement à la poétique et au-delà (Guérin,
Genet, Duvert, Camus et Louis)
(From "engagement" to poetics and beyond (Guérin,
Genet, Duvert, Camus and Louis))
Autori
Zorica, Maja
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Contacts linguistiques, littéraires, culturels: Cent ans d’études du français à l’Université de Ljubljana
Urednik/ci
Vaupot, S., Mezeg, A., Perko, G., Schamberger Brezar, M., Župančić, M.
Izdavač
Znanstvena založba Filozofske fakultete Univerze v Ljubljani
Grad
Ljubljana
Godina
2020
Raspon stranica
440-451
ISSN
2335-335X
Ključne riječi
homosexualité, autobiographie, identité, littérature, engagement
(homosexuality, autobiography, identity, literature, engagement)
Sažetak
Daniel Guérin (1904-1988), Jean Genet (1910-1986), Tony Duvert (1945- 2008), Renaud Camus (1946-) and Édouard Louis (1992-), writers who came after Gide, question “engagement” after Sartre in the field of homosexuality: from Guérin’s autobiographical writings and his Vautrin, to Genet’s Prisoner of Love, the two elders reassess the presupposed necessary link between homosexuality and revolution. Guérin, libertarian anarchist / socialist, sociologist, sexologist and writer, announces that social criticism and subversion of common values aren’t enough. Genet, the “Actor” and “Martyr”, shows, through his commitment to the Palestinians and the Black Panthers not only the pathetic, but also the poetic implications of “engagement”, a new potential of the “beyond” mere transgression. This transgression, announced by Genet and Foucault, visible in Duvert’s writings, reaches new heights with Camus’s Tricks, prefaced by Barthes. This corpus introduces the problematic shift from identity to “normalization” of gays, represented by Louis’s The End of Eddy. From the so-called revolution, through transgression, to aesthetics, this path raises the question why writing becomes a platform that, in a non-flattened, nonmystified and non-identity- based representation of the everyday life, finds its “becoming-plebeian” in autobiography.
Izvorni jezik
Fra
Znanstvena područja
Sociologija, Filologija, Književnost
