Pregled bibliografske jedinice broj: 1099588
Blood of the Beasts, or the Representation of Evil in Documentary Films on Animal Rights i.e. Liberation, or the Ways in Which Culture Slaughters Nature: The „Problem of Evil“ in Coetzee’s Novel on Elizabeth Costello
Blood of the Beasts, or the Representation of Evil in Documentary Films on Animal Rights i.e. Liberation, or the Ways in Which Culture Slaughters Nature: The „Problem of Evil“ in Coetzee’s Novel on Elizabeth Costello // : Pojmovanja živalskih smrti: antropocentrizem in (ne)možne subjektivitete. / Vičar, Branislava (ur.).
Koper: Univerzitetna založba Annales, 2020. str. 191-209
CROSBI ID: 1099588 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
Blood of the Beasts, or the Representation of Evil in Documentary Films on Animal Rights i.e. Liberation, or the Ways in Which Culture Slaughters Nature: The „Problem of Evil“ in Coetzee’s Novel on Elizabeth Costello
Autori
Marjanić, Suzana
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
: Pojmovanja živalskih smrti: antropocentrizem in (ne)možne subjektivitete.
Urednik/ci
Vičar, Branislava
Izdavač
Univerzitetna založba Annales
Grad
Koper
Godina
2020
Raspon stranica
191-209
ISBN
978-961-7058-36-9
Ključne riječi
animal rights, animal liberation, J. M. Cooetzee, Elizabeth Costello ; Georges Franju, Blood of the Beast ; Shaun Monson, Earthlings ; shokumentaries
Sažetak
As the title suggests, in this article I seek to document the representation of evil in documentary films on animal rights, based on the ethical statement by film director Shaun Monson (Earthlings, 2005) with which he posed the need to behold the evilness of the industrial concentration camps of death. Thereby I „shed light“ on the aforementioned evil with the chapter The Problem of Evil from the academic novel Elizabeth Costello: Eight Lessons (2003) by J. M. Coetzee, in which Elizabeth Costello was invited to the conference in Amsterdam to address the age-old, as she herself put it, problem of evil – i.e. to try to elaborate as to „why there is evil in the world, what if anything can be done about it“. In documentaries on animal rights, animals figure in the double ontological optics ; as the subject of the „reality“ of documentaries, but over himself/herself (to avoid a linguistic speciesism, I do not use the pronoun it for animal) as an object in the reality in which it has been reduced on machina animata. Alongside, I address the short (20’) documentary film Le sang des bêtes (The Blood of Animals, 1949) by Georges Franju, which has a cult status in cinematic history (cf. Pick 2011:132) of the shokumentaries genre.
Izvorni jezik
Engleski
Znanstvena područja
Interdisciplinarne humanističke znanosti, Filmska umjetnost (filmske, elektroničke i medijske umjetnosti pokretnih slika)
POVEZANOST RADA
Projekti:
IP-2016-06-2463 - Naracije straha: Od starih zapisa do nove usmenosti (FEAR) (Jambrešić Kirin, Renata, HRZZ - 2016-06) ( CroRIS)
Ustanove:
Institut za etnologiju i folkloristiku, Zagreb
Profili:
Suzana Marjanic
(autor)