Pregled bibliografske jedinice broj: 1099214
After the End of the World: On Music in Hans Jürgen Syberberg's "Café Zilm"
After the End of the World: On Music in Hans Jürgen Syberberg's "Café Zilm" // Music in Postsocialism: Three Decades in Retrospect / Milanović, Biljana ; Milin, Melita ; Lajić Mihajlović, Danka (ur.).
Beograd: Muzikološki institut SANU, 2020. str. 121-136
CROSBI ID: 1099214 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
After the End of the World: On Music in Hans Jürgen
Syberberg's "Café Zilm"
(Same)
Autori
Davidović, Dalibor
Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni
Knjiga
Music in Postsocialism: Three Decades in Retrospect
Urednik/ci
Milanović, Biljana ; Milin, Melita ; Lajić Mihajlović, Danka
Izdavač
Muzikološki institut SANU
Grad
Beograd
Godina
2020
Raspon stranica
121-136
ISBN
978-86-80639-60-4
Ključne riječi
Hans Jürgen Syberberg, postsocialism, site specific art, installation
Sažetak
In the work of the German artist Hans Jürgen Syberberg (b. 1935) it is possible to notice a certain change, which took place in the early 1990s. Thus he gradually abandoned the medium of film turning instead to the site-specific art of installation. On the other hand, the change manifested itself also in the role and in the character of the musical dimension of his work. The paper is an attempt to understand this change of his work taking into consideration the artist's memories formed during the childhood spent in Pomerania in the period of both National Socialism and the communist German Democratic Republic, as well as the political ocurrences after 1989, when Syberberg, as a former refugee, could finally return to his birthplace.
Izvorni jezik
Engleski
Znanstvena područja
Znanost o umjetnosti
