Pregled bibliografske jedinice broj: 1091107
If one could leave oneself, depart from self, forget oneself? The rhetoric of transmedial narratology in the play John Smith, Princess of Wales by Tomislav Zajec
If one could leave oneself, depart from self, forget oneself? The rhetoric of transmedial narratology in the play John Smith, Princess of Wales by Tomislav Zajec // Od mobilnosti do interakcije. Dramsko pismo i kazalište u Bosni i Hercegovini, Crnoj Gori, Hrvatskoj, na Kosovu, u Makedoniji, Sloveniji i Srbiji / Leszek Małczak ; Gabriela Abrasowicz (ur.).
Katovice: Wydawnictwo Uniwesytetu Śląskiego, 2020. str. 263-282 doi:h ps://orcid org/0000-0002-5860-5497 (predavanje, međunarodna recenzija, cjeloviti rad (in extenso), znanstveni)
CROSBI ID: 1091107 Za ispravke kontaktirajte CROSBI podršku putem web obrasca
Naslov
If one could leave oneself, depart from self, forget oneself? The
rhetoric of transmedial narratology in the play John Smith, Princess
of Wales by Tomislav Zajec
Autori
Žužul, Ivana
Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni
Izvornik
Od mobilnosti do interakcije. Dramsko pismo i kazalište u Bosni i Hercegovini, Crnoj Gori, Hrvatskoj, na Kosovu, u Makedoniji, Sloveniji i Srbiji
/ Leszek Małczak ; Gabriela Abrasowicz - Katovice : Wydawnictwo Uniwesytetu Śląskiego, 2020, 263-282
ISBN
978-83-226-3978-8
Skup
Od mobilnosti do interakcije. Dramsko pismo i kazalište u Bosni i Hercegovini, Crnoj Gori, Hrvatskoj, na Kosovu, u Makedoniji, Sloveniji i Srbiji
Mjesto i datum
Katowice, Poljska, 07.11.2018. - 09.11.2018
Vrsta sudjelovanja
Predavanje
Vrsta recenzije
Međunarodna recenzija
Ključne riječi
drama, transmedial narrative techniques, postclassical narratology, Tomislav Zajec
Sažetak
The narrative turn in the social sciences and humanities has brought about the expansion of narratology to many other scientific and cultural fields. In particular, the theoretical dialogue of the 1990s and 2000s on postclassical narratology as a multidiscipline that, under the influence of new technologies, stepped beyond literary narratives into new media and narrative logic, raised the awareness that narratives in different media and different cultures did not work the same. Given this turn, this paper analyses the transmedia storytelling techniques in the drama John Smith, Princess of Wales (1998), their functions and effects in a broader cultural context.
Izvorni jezik
Engleski
Znanstvena područja
Filologija
