Naslov
The Veglia Altar Frontal: Notes on Its Acquisition and Subsequent Conservation

Autori
Banić, Silvija

Vrsta, podvrsta i kategorija rada
Poglavlja u knjigama, znanstveni

Knjiga
ASPICE HUNC OPUS MIRUM: Zbornik povodom sedamdesetog rođendana Nikole Jakšića / Festschrift on the occasion of Nikola Jakšić's 70th birthday

Urednik/ci
Josipović, Ivan ; Jurković, Miljenko

Izdavač
Sveučilište u Zadru ; Sveučilište u Zagrebu ; Međunarodni istraživački centar za kasnu antiku i srednji vijek (MICKAS)

Grad
Zadar : Zagreb : Motovun

Godina
2020

Raspon stranica
497-518

ISBN
978-953-331-304-7

Ključne riječi
the Veglia Altar Frontal, Victoria and Albert Museum, George Wingfield Digby, Donald King, Ludwig Otto Bernheimer, Otto Bernheimer, Sir George Trenchard Cox

Sažetak
The altar frontal made about 1330 after the design by Paolo Veneziano (active 1333-58) is by far the most monumental of all extant embroideries worked in Venetian medieval workshops. Commissioned for the Cathedral in Krk (Veglia in Italian), town on the island of the same name in the Kvarner (Quarnero) Bay, it remained in the Cathedral's sacristy until about 1930. Around that year and under still unclear circumstances it was purchased by Otto Bernheimer (1877-1960), then head of one of Europe's major art-dealing companies. The frontal remained in Germany until July 1964 when it was sent to the Victoria and Albert Museum in London. Since nothing has been written on what led to the frontal to become part of one of the world's most renowned textile collections, this article primarily focuses on the intriguing story of its acquisition, and it also considers its conservation, undertaken soon after it was accessioned.

Izvorni jezik
Engleski

Znanstvena područja
Povijest umjetnosti

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