Naslov
Manje važna fotografija? Fotografkinje u Jugoslaviji prije i nakon Drugog svjetskog rata
(Minor Photography? Women Photographers in Yugoslavia, Pre- and Post-WWII)

Autori
Križić Roban, Sandra

Izvornik
Photography and Culture (1751-4517) 13 (2020), 3-4; 299-321

Vrsta, podvrsta i kategorija rada
Radovi u časopisima, članak, znanstveni

Ključne riječi
Jugoslavija, ženska fotografija, foto klubovi, tiskani mediji, umjetnik kao fotograf
(Yugoslavia, women’s photography, photo clubs, printed media, artist as photographer)

Sažetak
This paper introduces a range of unknown women photographers who worked in Yugoslavia throughout the 1970s, enabling an understanding of the hierarchy of gender relations and recapitulating the ideas and value systems that were defined by men throughout this period. The female gaze developed gradually in a period when women gained education, and which saw several waves of feminism. In studying the themes of their work, the way they developed their knowledge, and the reasons for their (non-)recognition on the national photographic scene, the three areas in which women most frequently worked are highlighted: private photography studios (ateliers), photography clubs, and print media. Although the power structures in the context considered were captured only “peripherally” by a woman’s camera, in this period we nevertheless come across traces of “disruption” of the production of meaning as a prerogative of social (=male) power, which gradually leads to more significant changes in the field of women’s photography, but only from the 1980s onwards.

Izvorni jezik
Hrvatski

Znanstvena područja
Povijest umjetnosti, Etnologija i antropologija, Likovne umjetnosti, Interdisciplinarno umjetničko polje, Rodni studiji

POVEZANOST RADA