Naslov
Le cappelle musicali in Split (Spalato) and Dubrovnik (Ragusa) in the 18th Century - Repertories, Cultural Missions, and Social Importance

Autori
Tuksar, Stanislav

Vrsta, podvrsta i kategorija rada
Radovi u zbornicima skupova, cjeloviti rad (in extenso), znanstveni

Izvornik
Barocco padano 1 / Colzani, Alberto - Luppi, Andrea - Padoan, Maurizio - Como : Applied Mathematics and Information Sciences, 2002, 361-377

Skup
IX Convegno internazionale sulla musica sacra nei secoli XVII-XVIII

Mjesto i datum
Brescia, Italija, 13.07.1999. - 15.07.1999

Vrsta sudjelovanja
Predavanje

Vrsta recenzije
Međunarodna recenzija

Ključne riječi
cappelle musicali; Dalmatia; Split; Dubrovnik; repertories; 18th century
(musical chapels; Dalmatia; Split; Dubrovnik; repertories; 18th century)

Sažetak
In earlier periods the musical performing practice in Croatia seems to have been most interesting in Split and Dubrovnik in the 18th century. Two different performing bodies have been identified there: the Cathedral Cappella in Split, and the Duke's Band in Dubrovnik, with different profiles, repertories and functions. The Split repertory consists prevalently of compositions written by local composers, and mostly of church music. In the Dubrovnik repertory prevails secular music, mostly composed by foreign composers. Concerning cultural missions, the Split Cathedral Cappella primarily fullfilled Church needs, and only secondarily met the City's music demands. The Dubrovnik Duke's Band primarily served for the representation of the State, and finally for the needs of the Church.

Izvorni jezik
Engleski

Znanstvena područja
Znanost o umjetnosti

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